Nummer | Tonträger | Seite | Track | Interpret | Titel | Jahr | Tonträgerart | Label | Labelfarbe | Matrize | Cover | Coverdruck | Begleittext | Genre | Archiv |
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 056 | Flöte - Alt-Sax | 1 | 1 | Leo Wright-Combo | Encore | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 2 | Leo Wright-Combo | It Might As Well Be Spring | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 3 | Leo Wright-Combo | Down Home Kansas City Blues | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 4 | Leo Wright-Combo | Kidney Stew | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 5 | Leo Wright-Combo | Every Day I Have The Blues | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 6 | Leo Wright-Combo | Blues March | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 7 | Leo Wright-Combo | Grooving High | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 1 | Orchester Gerhard Kneifel | I Got Rhythm | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 2 | Rica Deus | The Man I Love | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 3 | Perdidos & Enzo-Trio | Liza | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 4 | Christel Schulze | Somebody Loves Me | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 5 | Orchester Gerhard Kneifel | "Blues aus ""Ein Amerikaner in Paris""" | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 6 | Rec Demont | A Foggy Day | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 7 | Perdidos & Enzo-Trio | Embraceable You | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 8 | Rec Demont | s Wonderful | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 9 | Perdidos & Enzo-Trio | Love Is Her To Stay | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 10 | Orchester Gerhard Kneifel | Strike Up The Band | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 11 | Christel Schulze | Summertime | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 12 | Rec Demont | Oh, Lady Be Good | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 13 | Rica Deus | Someone To Watch Over Me | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 14 | Perdidos & Enzo-Trio | Fascinating Rhythm | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 1 | Oscar Peterson Trio | Liza | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 1 | Oscar Peterson Trio | Liza | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 2 | Oscar Peterson Trio | Woody'n You | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 2 | Oscar Peterson Trio | Woody'n You | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 3 | Oscar Peterson Trio | Maidens Of Cadiz | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 3 | Oscar Peterson Trio | Maidens Of Cadiz | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 4 | Oscar Peterson Trio | My Heart Stood Still | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 4 | Oscar Peterson Trio | My Heart Stood Still | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 1 | Benny Goodman Sextett | I Got Rhythm | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 2 | Benny Goodman Sextett | Flying Home | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 3 | Benny Goodman Sextett | Memories Of You | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 4 | Helen Humes & Count Basie Combo | Blues With Helen | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 5 | Count Basie Band | One O'Clock Jump | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 6 | Oran 'Hot Lips' Page & Count Basie Band | Blues WithLips | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 7 | Count Basie Band | Rhythm Man | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 8 | Kansas City Six | Good Morning Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 9 | Kansas City Six | Way Down Yonder In New Orleans | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 10 | Count Basie | I Ain't Got Nobody | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 11 | Count Basie Combo | Don't Be That Way | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 12 | New Orleans Feetwarmers | Mule Walk | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 13 | New Orleans Feetwarmers | Carolina Shout | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 14 | New Orleans Feetwarmers | Weary Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 15 | New Orleans Feetwarmers | I Wish I Could Shimmy Like My Sister | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 16 | New Orleans Feetwarmers | Kate | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 063 | 1 | 1 | Ray Charles | At The Club | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 2 | Ray Charles | Basin Street Blues | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 3 | Ray Charles | Alabamy Bound | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 4 | Ray Charles | New York' s My Home | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 5 | Ray Charles | Josephin | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 6 | Ray Charles | Marie | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 7 | Ray Charles | California, Here I Come | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 8 | Ray Charles | I've Got News For You | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 066 | 1 | 1 | Mahalia Jackson | The Christian's Testimony | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 2 | Mahalia Jackson | It Is No Secret | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 3 | Mahalia Jackson | Move On Up A Little Higher | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 4 | Mahalia Jackson | The Upper Room | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 5 | Mahalia Jackson | God Is So Good | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 6 | Mahalia Jackson | It Don't Cost Very Much | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 7 | Mahalia Jackson | Summertime | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 8 | Mahalia Jackson | Just A Little While To Stay Here | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 9 | Mahalia Jackson | The Lord's Prayer | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 10 | Mahalia Jackson | Nobody Knows The Trouble I've Seen | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 11 | Mahalia Jackson | Down By The Riverside | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 1 | Werner Pfüller-Quintett | Mad About A Boy | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 2 | Werner Pfüller-Quintett | Moanin | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 3 | Werner Pfüller-Quintett | Horace's Theme | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 4 | Werner Pfüller-Quintett | Blaue Straßen | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 5 | Werner Pfüller-Quintett | Rose | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 6 | Werner Pfüller-Quintett | Good Bait | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 7 | Werner Pfüller-Quintett | Sack O'Woe | 1963 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 8 | Manfred Ludwig-Sextett | Desafinado | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 9 | Manfred Ludwig-Sextett | Skandinavia | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 10 | Günter Hörig Trio | Opus de Funk | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 11 | Quintett 61 | Worksong | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 12 | Quintett 61 | Valse Fantastique | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 13 | Günter Hörig Trio | Give Me The Simple Life | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 14 | Manfred Ludwig-Sextett | Take Five | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 15 | Manfred Ludwig-Sextett | Erinnerungen an Richard | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 1 | Orchester Fips Fleischer | Warum hast du mich gleich so verliebt gemacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 2 | Orchester Jürgen Hermann | Amorcito | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 3 | Orchester Jürgen Hermann | Kußwalzer | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 4 | Orchester Günter Gollasch | Serenade der Nacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 5 | Orchester Günter Gollasch | Was eine Frau im Frühling träumt / Mit dir möcht ich am Sonntag angeln gehn' / Warte noch ein Weilchen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 6 | Orchester Horst Geipel | Ein verregneter Sonntag | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 7 | Orchester Günter Oppenheimer | Marsch der Matrosen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 8 | Orchester Günther Kretschmer | Siesta | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 9 | Orchester Jürgen Hermann | Komplimente | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 10 | Orchester Günter Gollasch | Phonographen-Cha Cha Cha | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 11 | Orchester Erwin Thiele | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 12 | Blasorchester Otto Kaiser | Gemütlichkeit | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 13 | Orchester Günter Gollasch | Tschechische Polka | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 14 | Orchester Günter Gollasch | Feuerstuhl-Boogie | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 1 | Louis Armstrong & Earl Hines & Mancy Cara | Squeeze Me | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 2 | Louis Armstrong | Basin Street Blues | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 3 | Louis Armstrong | St James Infirmary Blues | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 4 | Louis Armstrong & His Orchestra | Mahogany Hall Stomp | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 5 | Louis Armstrong & His Orchestra | Ain't Misbehavin' | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 6 | Louis Armstrong & His Orchestra | St Louis Blues | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 7 | Louis Armstrong & Hoagy Carmichael | Rockin' Chair | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 8 | Louis Armstrong | Song Of The Islands | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 9 | Louis Armstrong | Body And Soul | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 10 | Louis Armstrong | Memories Of You | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 11 | Louis Armstrong | You're Lucky To Me | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 12 | Louis Armstrong | Sweethearts On Parade | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 13 | Louis Armstrong | You're Driving Me Crazy | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 14 | Louis Armstrong | Just A Gigolo | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 15 | Louis Armstrong | Shine | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 071 | Chor in Swing | 1 | 1 | Chor & Orchester Günter Oppenheimer | Chorserenade | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 2 | Chor & Orchester Günter Oppenheimer | Fugato | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 3 | Chor & Orchester Günter Oppenheimer | Solo in Moll | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 4 | Chor & Orchester Günter Oppenheimer | Don't Blame Me | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 5 | Chor & Orchester Günter Oppenheimer | Vocalise | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 6 | Chor & Orchester Günter Oppenheimer | Abends kommen die Sterne | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 7 | Chor & Orchester Günter Oppenheimer | Matrosentanz | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 8 | Chor & Orchester Günter Oppenheimer | Serenade In Blue | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 9 | Chor & Orchester Günter Oppenheimer | Django | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 10 | Chor & Orchester Günter Oppenheimer | Robins Bossa Nova | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 11 | Chor & Orchester Günter Oppenheimer | Spitze Worte | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 12 | Chor & Orchester Günter Oppenheimer | Yesterday | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 13 | Chor & Orchester Günter Oppenheimer | Flip | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 14 | Chor & Orchester Günter Oppenheimer | Suite In Scat | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 1 | Ella Fitzgerald & Louis Armstrong | Summertime | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 2 | Ella Fitzgerald | I Wants To Stay Here | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 3 | Ella Fitzgerald & Louis Armstrong | I Got Plenty O' Nuttin' | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Bess, You Is My Woman Now | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 5 | Ella Fitzgerald | What You Want Wid Bess | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 6 | Ella Fitzgerald & Louis Armstrong | It Ain't Necessarily So | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 7 | Louis Armstrong | A Woman Is A Sometime Thing | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 8 | Louis Armstrong | There's A Boat Dat's Leavin' Soon For New York | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 9 | Louis Armstrong | Bess, Oh Where's My Bess | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 10 | Louis Armstrong | Oh Lawd, I'm On My Way | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 075 | Doris Day | 1 | 1 | Doris Day | Everybody Loves A Lover | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 2 | Doris Day | It's Magic | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 3 | Doris Day | A Guy Is A Guy | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 4 | Doris Day | Secret Love | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 5 | Doris Day | Teacher's Pet | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 6 | Doris Day | Bewitched | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 7 | Doris Day | Que sera, sera | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 8 | Doris Day | If I Give My Heart To You | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 9 | Doris Day | Please Don't Eat The Daisies | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 10 | Doris Day | When I Fall In Love | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 11 | Doris Day | Pillow Talk | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 12 | Doris Day | Love Me Or Leave Me | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 076 | Count Basie & Lester Young | 1 | 1 | Count Basie | Swingin' At Newport | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 2 | Lester Young | Polka Dots And Moonbeats | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 3 | Lester Young | Lester Leaps In | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 4 | Jimmy Rushing& Lester Young | Sent For You Yesterday | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 5 | Jimmy Rushing& Lester Young | Boogie Woogie | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 6 | Jimmy Rushing& Lester Young | Evenin' | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 7 | Count Basie & Lester Young | One O'Clock Jump | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 1 | Ella Fitzgerald | Hello Dolly | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 2 | Ella Fitzgerald & Louis Armstrong | Stars Fell On Alabama | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 3 | Ella Fitzgerald | Can't Buy Me Love | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Moonlight In Vermont | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 5 | Ella Fitzgerald & Louis Armstrong | They Can't Take That Away From Me | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 6 | Ella Fitzgerald | How High The Moon | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 1 | Bing Crosby & Louis Armstrong | Preacher | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 2 | Bing Crosby & Louis Armstrong | Dardanella | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 3 | Bing Crosby & Louis Armstrong | Muskrat Ramble | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 4 | Bing Crosby & Louis Armstrong | Sugar | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 5 | Bing Crosby & Louis Armstrong | Let's Sing Like A Dixieland Band | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 6 | Bing Crosby & Louis Armstrong | Way Down Yonder In New Orleans | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 7 | Bing Crosby & Louis Armstrong | Bye Bye Blues | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 8 | Bing Crosby & Louis Armstrong | At The Jazz Band Ball | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 9 | Bing Crosby & Louis Armstrong | Rocky Mountain Moon | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 10 | Bing Crosby & Louis Armstrong | Little Ol' Tune | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 11 | Bing Crosby & Louis Armstrong | Brother Bill | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 1 | Orchester Jürgen Hermann | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 2 | Günter Friess Sextett | Wir tanzen Foxtrott | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 3 | Orchester Jürgen Hermann | Wir tanzen Wiener Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 4 | Günter Oppenheimer Swingtett | Wir tanzen Boogie | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 5 | Ballhausorchester Kurt Beyer | Wir tanzen Tango | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 6 | Günter Friess Sextett | Wir tanzen Rumba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 7 | Fritz Heimbach-Barsextett | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 8 | Günter Friess Sextett | Wir tanzen langsamen Foxtrott | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 9 | Orchester Günter Gollasch | Wir tanzen Samba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 083 | Prominente des Jazz | 1 | 1 | Dave Brubeck-Quartett | Waltz Limp | 1961 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 2 | Chico Hamilton-Quintett | One For Joan | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 3 | Carmen McRae | So Long | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 4 | Miles Davis-Sextett | Devil May Care | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 5 | Orchester Lionel Hampton | J J Cellar | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 6 | Quincy Jones | Grasshopper | 1955 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 7 | Jimmy Giuffre-Trio | Motion Suspended | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 8 | Orchester Duke Ellington | Turkish Coffee | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 9 | Orchester Eddie Condon | Tiger Rag | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 10 | Thelonius Monk-Quartett | Coming On The Hudson | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 11 | Dave Lambert & Jon Hendricks & Annie Ross | This Here | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 12 | Bill Doggett-Combo | So Sassy | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 13 | Jay Jay Johnson-Sextett | Fatback | 1960 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 14 | Bud Powell-Trio | Ruby My Dear | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 086 | Amateur Favoriten | 1 | 1 | Tanzorchester Leipzig | Four Brothers | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 2 | Jürgen Heider-Swingtett | Nova | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 3 | Tanzorchester Tornados | Ottokar | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 4 | Marita Roll | Dat du min Leevsten büst | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 5 | Tanzorchester Leipzig | Küßchen gefällig | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 6 | Jürgen Heider-Swingtett | Yvette | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 7 | Tanzorchester Tornados | Nebel | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 8 | Evergreen Sextett | Rondonia | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 9 | Tanzorchester Tornados | Spanische Fliege | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 10 | Jürgen Heider-Swingtett | Pelikan | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 11 | Tanzorchester Leipzig | Mustermesse 65 | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 12 | Evergreen Sextett | Ack wärmeland du skonar | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 13 | Eva Kirchner | Mallorie | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 14 | Jürgen Heider-Swingtett | Das Märchen der Liebe | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 15 | Tanzorchester Leipzig | Nessy | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 1 | Tanzorchester Schwarz-Weiss | Blues-Marsch | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 2 | Tanzorchester Schwarz-Weiss | Maracatu | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 3 | Edith Haas | Das war der erste Kuß | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 4 | Tanzorchester Schwarz-Weiss | Renis Melodie | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 5 | Tanzorchester Schwarz-Weiss | Kleines Haus am Wald | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 6 | Edith Haas | Nachts bin ich allein | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 7 | Tanzorchester Schwarz-Weiss | Penniä | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 8 | Tanzorchester Schwarz-Weiss | Plaste | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 9 | Tanzorchester Schwarz-Weiss | Ich kenn ein kleines Weger'l | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 10 | Tanzorchester Schwarz-Weiss | Potpourri-Wir tanzen Locomotion | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 11 | Edith Haas | Frag' nur dein Herz | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 12 | Tanzorchester Schwarz-Weiss | Milano | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 13 | Tanzorchester Schwarz-Weiss | Blaue Blitze | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 14 | Edith Haas | Sei ein Mann | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 1 | Orchester Gerhard Honig | Wieder mal ein Happy End | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 2 | Orchester Jürgen Hermann | Schlenderly | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 3 | Orchester Günther Kretschmer | Soir de Paris | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 4 | Orchester Günter Gollasch | Adieu, du kleiner Bel Ami | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 5 | Orchester Horst Geipel | Tanzende Lampions | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 6 | Orchester Walter Eichenberg | Desaquadero | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 1 | 7 | Orchester Jürgen Hermann | El Cumbanchero | LP | Amiga | rot-weiß | 0 503 377 / 8 50 091 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 8 | Orchester Siegfried Mai | I Can't Give You Anything But Love | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 9 | Orchester Jürgen Hermann | Skizze In Sweet | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 10 | Orchester Walter Eichenberg | Dankeschön | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 11 | Orchester Jürgen Hermann | Colette | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 12 | Orchester Günter Oppenheimer | Teddies Swing | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 13 | Orchester Gerhard Honig | Introduktion | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 14 | Orchester Günter Gollasch | Augustins Twist | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 1 | Fred Frohberg | Am Kai wartest du | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 2 | Toni Stepanek | Frag nicht | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 3 | Anita Hirvonen | Sei doch bloß mal so, wie du wirklich bist | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 4 | Tadeusz Wozniakowski | Giovane | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 5 | Orchester Horst Geipel | Jeg savner dig | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 1 | 6 | Regina Thoss | Die erste Nacht am Meer | LP | Amiga | rot-weiß | 0 503 403 / 8 50 096 A / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 7 | Bärbel Wachholz | Das kann ich niemals vergessen | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 8 | Orchester Horst Geipel | Men Are Men | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 9 | Tadeusz Wozniakowski | Olla la Mandolina | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 10 | OrchesterHorst Geipe | Sangen om dig | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 11 | Anita Hirvonen | Leg mir keine Edelsteine in den Weg | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 12 | Orchester Horst Geipel | Zum Tanzen gehören vier Beine | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 097 | 1 | 1 | Oktober-Klub | Sag mir, wo du stehst | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 1 | Oktober-Klub | Sag mir, wo du stehst | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 2 | Oktober-Klub | Wer bin ich, und wer bist du | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 2 | Oktober-Klub | Wer bin ich, und wer bist du | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 3 | Oktober-Klub | Phyllis und die Mutter | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 3 | Oktober-Klub | Phyllis und die Mutter | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 4 | Oktober-Klub | Pas de deux im Zwiebelmond | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 4 | Oktober-Klub | Pas de deux im Zwiebelmond | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 5 | Oktober-Klub | Abendlied | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 5 | Oktober-Klub | Abendlied | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 6 | Oktober-Klub | Min Jehann | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 6 | Oktober-Klub | Min Jehann | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 7 | Oktober-Klub | Vorahnung | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 7 | Oktober-Klub | Vorahnung | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 8 | Oktober-Klub | In Spanien die Blüten | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 8 | Oktober-Klub | In Spanien die Blüten | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 9 | Oktober-Klub | Übergang über den Ebro | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 9 | Oktober-Klub | Übergang über den Ebro | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 10 | Oktober-Klub | Wie starb Benno Ohnesorg | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 10 | Oktober-Klub | Wie starb Benno Ohnesorg | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 11 | Oktober-Klub | We Shall Not Be Moved | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 1 | 11 | Oktober-Klub | We Shall Not Be Moved | LP | Amiga | rot-weiß | 8 50 097 - 1 B / H7 S 0 K M | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 12 | Oktober-Klub | Knüpflied an eine Unruhestifterin | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 12 | Oktober-Klub | Knüpflied an eine Unruhestifterin | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 13 | Oktober-Klub | Zwischen Roggenfeld und Hecken | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 13 | Oktober-Klub | Zwischen Roggenfeld und Hecken | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 14 | Oktober-Klub | Als ich kam durchs Oderluch | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 14 | Oktober-Klub | Als ich kam durchs Oderluch | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 15 | Oktober-Klub | Von einem Alptraum | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 15 | Oktober-Klub | Von einem Alptraum | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 16 | Oktober-Klub | Friedenslied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 16 | Oktober-Klub | Friedenslied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 17 | Oktober-Klub | Partisanen vom Amur | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 17 | Oktober-Klub | Partisanen vom Amur | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 18 | Oktober-Klub | Oktobersong | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 18 | Oktober-Klub | Oktobersong | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 19 | Oktober-Klub | Ech Jablotschko | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 19 | Oktober-Klub | Ech Jablotschko | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 20 | Oktober-Klub | Lied vom Feuerteufel einer lieben, guten Tante | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 20 | Oktober-Klub | Lied vom Feuerteufel einer lieben, guten Tante | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 21 | Oktober-Klub | Ungarisches Stundenlied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 21 | Oktober-Klub | Ungarisches Stundenlied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 22 | Oktober-Klub | Schau her | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 22 | Oktober-Klub | Schau her | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 098 | Kämpfendes Vietnam | 1 | 1 | Gisela May | Saigoner Kinder | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 1 | 2 | Horst Schulze | Partisanen | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 1 | 3 | Angelica Domröse | Vietnamesisches Liebeslied | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 1 | 4 | Gerry Wolff | Dschungellied | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 1 | 5 | Gisela May | Mekong-Ballade | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 1 | 6 | Gerry Wolff | So wie der Regen vom Himmel fällt | LP | Amiga | rot-weiß | 0 503 407 / 8 50 098 A / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 7 | Horst Schulze | Song vom Bambus | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 8 | Gisela May | Vielleicht wird die Bombe schon scharf gemacht | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 9 | Horst Schulze | Schrei | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 10 | Gisela May | Willst du, daß wir weinen | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 11 | Gerry Wolff | Hätte ich ein Netz | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 12 | Horst Schulze | Pauls Traum | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 13 | Gisela May | Reisbauern, Kämpfer, Genossen | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 102 | 1 | 1 | Frank Sinatra | The Birth Of The Blues | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 2 | Frank Sinatra | Five Minutes More | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 3 | Frank Sinatra | Laura | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 4 | Frank Sinatra | Stormy Weather | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 5 | Frank Sinatra | The Girl That I Marry | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 6 | Frank Sinatra | Poinciana | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 1 | 7 | Frank Sinatra | You Do Something To Me | LP | Phonoclub | rot | 0 503 415 / 8 50 102 A / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 8 | Frank Sinatra | Begin The Beguine | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 9 | Frank Sinatra | April In Paris | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 10 | Frank Sinatra | September Song | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 11 | Frank Sinatra | The Coffee Song | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 12 | Frank Sinatra | Sunday, Monday Or Always | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 13 | Frank Sinatra | Dream | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 14 | Frank Sinatra | Saturday Night | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 1 | Bernd Walther & Folkloregruppe der TU Dresden | Carpe Diem | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 2 | Wolfgang Grahl & FDJ-Singestudio Müritz | Spottlied auf einen Moskaubesucher | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 3 | Antje Kankel | Das ist unser Tag | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 4 | Folkloregruppe der TU Dresden | Zygan Chodit | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 5 | Panajota Ruli & Klaus-Georg Eulitz | Kathe Mera | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 6 | Kurt Demmler | Zart soll es bleiben | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 7 | Kurt Demmler | Kastanie, Kastanie | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 8 | Antje Thümmler & Ulrich Stephan & Folkloregruppe der TU Dresden | O lenke durch die Welle | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 9 | Singklub Leipzig | Abendgedanken | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 1 | 10 | Herbert Lappe & Folkloregruppe der TU Dresden | Und darum trägt unsere Welt heut ein neues Gesicht | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 1A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 11 | Nora Löhr & Wolfgang Gregor | Venezolanisches Marktlied | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 12 | Jörn Fechner & Oktober-Klub Berlin | Mamita Mia | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 13 | Henry Jäger | Musja Pikinson | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 14 | Barbara Kellerbauer & Folkloregruppe der TU Dresden | Lied von der unruhvollen Jugend | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 15 | Frank Obermann & Sing-Klub 67 Karl-Marx-Stadt | Unsere Welt hat ein Millionengesicht | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 16 | Hartmut König & Oktober-Klub Berlin | Die Front der Patrioten ruft | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 17 | Panajota Ruli & Folkloregruppe der TU Dresden | Drapetis | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 18 | Nora Löhr & Wolfgang Gregor | Auseinandergehen | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 19 | Dorit Gäbler | Icke | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 104 | Werkstattwoche der FDJ-Singeclubs | 2 | 20 | FDJ-Singestudio Müritz | Wir singen, weil wir jung sind | LP | Amiga | weinrot Doppelstrich | 8 50 104 - 2A / B8 W | LP | 1968 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 1 | Gisela May | Augen in der Gross-Stadt | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 2 | Gisela May | Lamento | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 3 | Gisela May | Sie zu ihm | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 4 | Gisela May | Die Nachfolgerin | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 5 | Gisela May | Das Lied von der Gleichgültigkeit | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 6 | Gisela May | Das Lächeln der Mona Lisa | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 1 | 7 | Gisela May | Chanson-Japanlied | LP | Phonoclub | rot | 0 503 433 / 8 50 110 A / E7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 8 | Gisela May | Das Leibregiment | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 9 | Gisela May | Wenn eena jeborn wird | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 10 | Gisela May | Wenn eena dot is | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 11 | Gisela May | Mutterns Hände | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 12 | Gisela May | Der Graben | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 13 | Gisela May | Rote Melodie | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 110 | Gisela May singt Tucholksy | 2 | 14 | Gisela May | Krieg dem Kriege | LP | Phonoclub | rot | 0 503 434 / 8 50 110 B / D7 S 0 K | LP | 1967 | k.A. | |||
8 50 111 | 1 | 1 | Gilbert Becaud | L'Orange | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 1 | Gilbert Becaud | L'Orange | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 2 | Gilbert Becaud | Quand il est mort le poete | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 2 | Gilbert Becaud | Quand il est mort le poete | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 3 | Gilbert Becaud | Les jours meilleurs | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 3 | Gilbert Becaud | Les jours meilleurs | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 4 | Gilbert Becaud | Je t'aime | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 4 | Gilbert Becaud | Je t'aime | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 5 | Gilbert Becaud | Tu le regretteras | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 5 | Gilbert Becaud | Tu le regretteras | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 6 | Gilbert Becaud | T'es venu de loin | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 6 | Gilbert Becaud | T'es venu de loin | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 7 | Gilbert Becaud | Mourir a Capri | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 7 | Gilbert Becaud | Mourir a Capri | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 8 | Gilbert Becaud | Natashquan | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 1 | 8 | Gilbert Becaud | Natashquan | LP | Amiga | rot-weiß | 0 503 435 / 8 50 111 A / E7 S 0 | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 9 | Gilbert Becaud | L'Aventure | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 9 | Gilbert Becaud | L'Aventure | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 10 | Gilbert Becaud | Ma chatelaine | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 10 | Gilbert Becaud | Ma chatelaine | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 11 | Gilbert Becaud | Mon arbre | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 11 | Gilbert Becaud | Mon arbre | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 12 | Gilbert Becaud | Ma souris danse | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 12 | Gilbert Becaud | Ma souris danse | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 13 | Gilbert Becaud | Les amoureux du monde | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 13 | Gilbert Becaud | Les amoureux du monde | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 14 | Gilbert Becaud | Miserere | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 14 | Gilbert Becaud | Miserere | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 15 | Gilbert Becaud | Les tantes Jeanne | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 15 | Gilbert Becaud | Les tantes Jeanne | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 16 | Gilbert Becaud | Si j'avais une semaine | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 111 | 2 | 16 | Gilbert Becaud | Si j'avais une semaine | LP | Amiga | rot-weiß | 0 503 436 / 8 50 111 B / D7 W | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 1 | Edith Piaf | Je m'imagine | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 1 | Edith Piaf | Je m'imagine | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 2 | Edith Piaf | Dans leur baier | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 2 | Edith Piaf | Dans leur baier | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 3 | Edith Piaf | C'est peut-etre ca | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 3 | Edith Piaf | C'est peut-etre ca | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 4 | Edith Piaf | Ouragan | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 4 | Edith Piaf | Ouragan | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 5 | Edith Piaf | Le vieux piano | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 5 | Edith Piaf | Le vieux piano | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 6 | Edith Piaf | Les amants merveilleux | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 6 | Edith Piaf | Les amants merveilleux | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 7 | Edith Piaf | Tes beau tu sais | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 1 | 7 | Edith Piaf | Tes beau tu sais | LP | Amiga | rot-weiß | 0 503 437 / 8 50 112 A / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 8 | Edith Piaf | Faut pas qu'il se figure | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 8 | Edith Piaf | Faut pas qu'il se figure | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 9 | Edith Piaf | Qu'il etait triste cet anglais | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 9 | Edith Piaf | Qu'il etait triste cet anglais | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 10 | Edith Piaf | Ca fait drole | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 10 | Edith Piaf | Ca fait drole | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 11 | Edith Piaf | Toi, zu l'entends pas | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 11 | Edith Piaf | Toi, zu l'entends pas | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 12 | Edith Piaf | Fallait-il | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 12 | Edith Piaf | Fallait-il | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 13 | Edith Piaf | Les amants de Teruel | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 13 | Edith Piaf | Les amants de Teruel | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 14 | Edith Piaf | Quatorze Juillet | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 112 | 2 | 14 | Edith Piaf | Quatorze Juillet | LP | Amiga | rot-weiß | 0 503 438 / 8 50 112 B / D7 S 0 K | LP | 1967 | k.A. | ||||
8 50 116 | Jazz via Dresden | 1 | 1 | Volkmar Schmidt-Septett | Via Dresden | 1965 | LP | Amiga | rot-weiß | 8 50 116 - 1A / F7 S 0 | LP | 1967 | k.A. | ||
8 50 116 | Jazz via Dresden | 1 | 2 | Volkmar Schmidt-Septett | Episode | 1965 | LP | Amiga | rot-weiß | 8 50 116 - 1A / F7 S 0 | LP | 1967 | k.A. | ||
8 50 116 | Jazz via Dresden | 1 | 3 | Modernes Quartett der Dresdner Tanzsinfoniker | Hahnentor | 1965 | LP | Amiga | rot-weiß | 8 50 116 - 1A / F7 S 0 | LP | 1967 | k.A. | ||
8 50 116 | Jazz via Dresden | 2 | 4 | Berlin-Leipzig-Combo | Sparring | 1965 | LP | Amiga | rot-weiß | 8 50 116 - 2A / F7 S 0 | LP | 1967 | k.A. | ||
8 50 116 | Jazz via Dresden | 2 | 5 | Berlin-Leipzig-Combo | Blues-Gedanken | 1965 | LP | Amiga | rot-weiß | 8 50 116 - 2A / F7 S 0 | LP | 1967 | k.A. | ||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 1 | Waldemar Matuska | Don, Diri, Don | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 2 | Eva Pilarova | Rekviem (Requiem) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 3 | Vice Vukow | Pismo Cali (Brief an den Vater) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 4 | Dubrovacki Trubaduri | Luda Mladost (Verrückte Jugend) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 5 | Maria Toldy | Rövid az elet (Kurz ist das Leben) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 6 | Sarolta Zalatnay | Nem Varok Holnapig (Ich warte nicht bis morgen) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 7 | Emil Gorowez | Ja schagaju po Moskwe (Ich gehe durch Moskau) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 1 | 8 | Vokalquartett Akkord | Naslo (Zum Trotz) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 1C / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 9 | Doina Badea | Ploaia si noi (Wir und der Regen) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 10 | Constantin Draghici | Culori (Farben) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 11 | Katarzyna Sobczyk | Trzynastego (Am Dreizehnten) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 12 | Urszula Sipinska | Zapomnialam (Ich habe vergessen) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 13 | Georgi Mintschew | Bjala Tischina (Die weiße Stille) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 14 | Jordanka Christowa | Pessen Moja, obitsch Moja (Mein Lied, meine Liebe) | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 15 | Ingo Graf | Das Lied von den Rosen und Träumen | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 118 | Schlager Erfolge aus 8 Ländern | 2 | 16 | Chris Doerk & Frank Schöbel | Lieb mich so, wie dein Herz es mag | LP | Amiga | weinrot Doppelstrich | 8 50 118 - 2A / A8 W | LP | 1968 | k.A. | |||
8 50 131 | Internationales Liederfestival 1967 | 1 | 1 | György Korda | Die Straße | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 2 | Margretta Nikolowa | Störche | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 3 | Eva Pilarova & Jaromir Mayer | Deine Hände | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 4 | Elena Neagu | Wie ist es möglich | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 5 | Wladimir Makarow | Ein Mann geht aus dem Haus | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 6 | Katalin Sarosi | Die erste Nacht am Meer | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 1 | 7 | Nicolae Nitzescu | Oh, mein Herz | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 1A / B8 S 0 | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 8 | Eva Pilarova | Wenn er nicht gleich kommt | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 9 | György Korda | Verzeih, wenn ich frage | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 10 | Wenera Maissuradse | Laß von dir hören | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 11 | Katalin Sarosi | Langsam schlendert jede Stunde dahin | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 12 | Nicolae Nitzescu | So geht eine Liebe | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 131 | Internationales Liederfestival 1967 | 2 | 13 | Fryderyka Elkana | Grüne Blätter der Bäume | 1967 | LP | Amiga | weinrot Doppelstrich | 8 50 131 - 2C / C8 W | LP | 1968 | k.A. | ||
8 50 136 | Die virtuose Gitarre | 1 | 1 | Werner Pauli | Amor flamengo | LP | Amiga | weinrot Doppelstrich | 8 50 136 - 1A / E8 W - K | LP | 1968 | k.A. | |||
8 50 136 | Die virtuose Gitarre | 1 | 2 | Werner Pauli & Gisela Pohl | Bunte Blätter wiegt der Morgenwind | LP | Amiga | weinrot Doppelstrich | 8 50 136 - 1A / E8 W - K | LP | 1968 | k.A. |