Nummer | Tonträger | Seite | Track | Interpret | Titel | Jahr | Tonträgerart | Label | Labelfarbe | Matrize | Cover | Coverdruck | Begleittext | Genre | Archiv |
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 038 | One Tension | 2 | 4 | Albert Mangelsdorff Quintett | Varie | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 5 | Albert Mangelsdorff Quintett | Tension | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 6 | Albert Mangelsdorff Quintett | Ballade für Jessica Rose | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 039 | Big Beat | 2 | 7 | Franke Echo-Quintett | Ungarisches Hirtenlied | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 8 | Franke Echo-Quartett | Show Beat | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 9 | Sputniks | Storm | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 10 | Sputniks | Gitarren Twist | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 11 | Franke Echo-Quintett | Peter Gun | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 12 | Hein Kunert-Quartett | La Conga | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 13 | Franke Echo-Quartett | Brasiliana | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 14 | Sputniks | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 040 | 2 | 7 | Beatles | I Want To Hold Your Hand | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 8 | Beatles | Please, Please Me | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 9 | Beatles | Ask Me Why | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 10 | Beatles | Do You Want To Know A Secret | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 11 | Beatles | Little Child | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 12 | Beatles | Please Mister Postman | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 041 | Now Jazz Ramwong | 2 | 4 | Albert Mangelsdorff Quintett | Three Jazz Moods | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 041 - 2B / D82 W NT | LP | 1980 | 1980 | ||
8 50 041 | Now Jazz Ramwong | 2 | 5 | Albert Mangelsdorff Quintett | Burungkaka | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 041 - 2B / D82 W NT | LP | 1980 | 1980 | ||
8 50 041 | Now Jazz Ramwong | 2 | 6 | Albert Mangelsdorff Quintett | Raknash | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 041 - 2B / D82 W NT | LP | 1980 | 1980 | ||
8 50 041 | Now Jazz Ramwong | 2 | 7 | Albert Mangelsdorff Quintett | Theme From Vietnam | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 041 - 2B / D82 W NT | LP | 1980 | 1980 | ||
8 50 041 | Now Jazz Ramwong | 2 | 8 | Albert Mangelsdorff Quintett | Es sungen drei Engel | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 041 - 2B / D82 W NT | LP | 1980 | 1980 | ||
8 50 042 | Sweet And Lonely | 2 | 8 | Orchester Günter Gollasch | The Midnight Sun Never Sets | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 8 | Orchester Günter Gollasch | The Midnight Sun Never Sets | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 9 | Rec Demont | Du, du gehst an mir vorbei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 9 | Rec Demont | Du, du gehst an mir vorbei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 10 | Orchester Gerd Natschinski | Concerto für zwei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 10 | Orchester Gerd Natschinski | Concerto für zwei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 11 | Rec Demont | Wo ist die Liebe | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 11 | Rec Demont | Wo ist die Liebe | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 12 | Orchester Günter Gollasch | Verträumte Serenade | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 12 | Orchester Günter Gollasch | Verträumte Serenade | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 13 | Rec Demont | Es ist alles gut | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 13 | Rec Demont | Es ist alles gut | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 14 | Orchester Günther Kretschmer | Romanze in Blau | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 14 | Orchester Günther Kretschmer | Romanze in Blau | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 044 | Louis Armstrong | 2 | 9 | Louis Armstrong & His Hot Five | Lonesome Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 9 | Louis Armstrong & His Hot Five | Lonesome Blues | 1926 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 10 | Bertha Chippie | Pleadin' For The Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 10 | Bertha Chippie | Pleadin' For The Blues | 1926 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 11 | Bertha Chippie | Pratt City Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 11 | Bertha Chippie | Pratt City Blues | 1926 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 12 | Sippie Wallace | The Flood Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 12 | Sippie Wallace | The Flood Blues | 1927 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 13 | Louis Armstrong & His Hot Seven | Gully Low Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 13 | Louis Armstrong & His Hot Seven | Gully Low Blues | 1927 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 14 | Louis Armstrong & His Hot Five | The Last Time | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 14 | Louis Armstrong & His Hot Five | The Last Time | 1927 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 15 | Louis Armstrong & His Hot Five | Got No Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 15 | Louis Armstrong & His Hot Five | Got No Blues | 1927 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 044 | Louis Armstrong | 2 | 16 | Louis Armstrong & His Hot Five | I'm Not Rough | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong 1923-1927 | 2 | 16 | Louis Armstrong & His Hot Five | I'm Not Rough | 1927 | LP | Amiga | weinrot Doppelstrich | 8 50 044 - 2B / D80 W N | LP | 1980 | 1980 | ||
8 50 045 | 2 | 13 | California Jubilee Singers | Get On Board | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 14 | California Jubilee Singers | Amen | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 15 | California Jubilee Singers | I Go To Lie Down | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 16 | California Jubilee Singers | Old Man River | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 17 | California Jubilee Singers | I Got Plenty O' Nuttin' | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 18 | California Jubilee Singers | Let The Hebin Light Shine On Me | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 19 | California Jubilee Singers | Climbin' Up The Mountain | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 20 | California Jubilee Singers | River Chant | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 21 | California Jubilee Singers | Dem Bones | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 22 | California Jubilee Singers | Rock My Soul | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 23 | California Jubilee Singers | Little David | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 046 | Solarius | 2 | 4 | Rolf Kühn Quintett | Mountain Jump | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 5 | Rolf Kühn Quintett | Lady Orsina | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 6 | Rolf Kühn Quintett | Soldat Tadeusz | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 9 | Dorothy Ellison & Manfred Ludwig-Sextett | Hit The Road, Jack | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 10 | Manfred Ludwig-Sextett | Gral | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 11 | Dorothy Ellison & Manfred Ludwig-Sextett | They Say, It's Wonderful | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 12 | Manfred Ludwig-Sextett | Zwielicht | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 13 | Dorothy Ellison & Manfred Ludwig-Sextett | Blues In The Night | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 14 | Manfred Ludwig-Sextett | E W als Gruß | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 15 | Dorothy Ellison & Manfred Ludwig-Sextett | Blueberry Hill | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 16 | Manfred Ludwig-Sextett | Eine Lappalie | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 8 | Jazz-Optimisten Berlin | Tiger Rag | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 9 | Eberhard Esche | Anekdote | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 10 | Jazz-Optimisten Berlin | My Bonnie Is Over The Ocean | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 11 | Manfred Krug & Jazz-Optimisten Berlin | There's A Boat That's Leavin' Soon For New York | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 12 | Manfred Krug | Die sieben Sachen | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 13 | Manfred Krug & Jazz-Optimisten Berlin | Hallelujah, I Just Love Her So | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 14 | Manfred Krug & Jazz-Optimisten Berlin | When The Saints Go Marchin' In | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 15 | Werner Sellhorn & Ensemble Jazz und Lyrik | Abschieds-Blues | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 049 | Big Beat II | 2 | 9 | Olympic-Big Beat | Yakety Sax | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 10 | Theo Schumann-Combo | Tromsoe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 11 | Franke-Echo-Quintett | Peters Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 12 | Butlers | Herbstlaub | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 13 | Sputniks | Für so viel Liebe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 14 | Theo Schumann-Combo | Wikinger Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 15 | Franke-Echo-Quintett | Seeschloß | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 16 | Butlers | Butlers Boogie | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 051 | In Froehlicher Runde | 2 | 8 | Martin Möhle und seine Solisten | Schweinemarsch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 8 | Martin Möhle und seine Solisten | Schweinemarsch | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 9 | Orchester Günter Gollasch & Vier Collins & Columbia-Quartett | Geh nicht wie die Katze um den heißen Brei | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 9 | Orchester Günter Gollasch & Vier Collins & Columbia-Quartett | Geh nicht wie die Katze um den heißen Brei | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 10 | Ballhausorchester Kurt Beyer | Schützenliesl / Pfeif-Rheinländer / Der Pfannenflicker / Des Klarinettisten Fluch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 10 | Ballhausorchester Kurt Beyer | Schützenliesl / Pfeif-Rheinländer / Der Pfannenflicker / Des Klarinettisten Fluch | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 11 | Stimmungskapelle Kurt Beyer & Horlan-Trio | Das schwarze Meer ist blau | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 11 | Stimmungskapelle Kurt Beyer & Horlan-Trio | Das schwarze Meer ist blau | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 12 | Martin Möhle Combo | Eine Seefahrt, die ist lustig / Das ist die Liebe der Matrosen / Weiße Wolken, blaues Meer und du | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 12 | Martin Möhle Combo | Eine Seefahrt, die ist lustig / Das ist die Liebe der Matrosen / Weiße Wolken, blaues Meer und du | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 13 | Orchester Günter Oppenheimer & Enzo-Trio | Bier, Bier, Bier ist die Seele vom Klavier | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 13 | Orchester Günter Oppenheimer & Enzo-Trio | Bier, Bier, Bier ist die Seele vom Klavier | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 14 | Orchester Walter Eichenberg & Stimmungskanonen | Solang' die Spree noch naß ist | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 14 | Orchester Walter Eichenberg & Stimmungskanonen | Solang' die Spree noch naß ist | LP | Amiga | rot-weiß | 8 50 051 - 2B / B9 W- | LP | 1969 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 8 | Toni Stepanek | Staroceská Musika | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 9 | Toni Stepanek | Karlovarská | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 10 | Toni Stepanek | Pod Jednou Strechou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 11 | Toni Stepanek | Tichou Dedinou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 12 | Toni Stepanek | Hostivická | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 13 | Toni Stepanek | Korycanska | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 14 | Toni Stepanek | Svore K Cili | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | 1965 | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | ||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 054 | Modern Jazz Big Band 65 | 2 | 4 | Modern Jazz Big Band | Watermelonman | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 5 | Modern Jazz Big Band | Peace | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 6 | Modern Jazz Big Band | Night In Tunesia | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 056 | Flöte - Alt-Sax | 2 | 5 | Leo Wright-Combo | Every Day I Have The Blues | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 6 | Leo Wright-Combo | Blues March | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 7 | Leo Wright-Combo | Grooving High | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 8 | Rec Demont | s Wonderful | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 9 | Perdidos & Enzo-Trio | Love Is Her To Stay | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 10 | Orchester Gerhard Kneifel | Strike Up The Band | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 11 | Christel Schulze | Summertime | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 12 | Rec Demont | Oh, Lady Be Good | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 13 | Rica Deus | Someone To Watch Over Me | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 14 | Perdidos & Enzo-Trio | Fascinating Rhythm | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 8 | Kansas City Six | Good Morning Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 9 | Kansas City Six | Way Down Yonder In New Orleans | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 10 | Count Basie | I Ain't Got Nobody | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 11 | Count Basie Combo | Don't Be That Way | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 12 | New Orleans Feetwarmers | Mule Walk | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 13 | New Orleans Feetwarmers | Carolina Shout | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 14 | New Orleans Feetwarmers | Weary Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 15 | New Orleans Feetwarmers | I Wish I Could Shimmy Like My Sister | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 16 | New Orleans Feetwarmers | Kate | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 061 | Spirituals To Swing 2 | 2 | 7 | Sonny Terry | Mountain Blues | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 8 | Sonny Terry | New John Henry | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 9 | Joe Turner | It's All Right, Baby | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 10 | Pete Johnson & Meade Lux Lewis & Albert Ammons | Cavalcade Of Boogie | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 11 | Big Bill Broonzy | Done Got Wise | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 12 | Big Bill Broonzy | Louise, Louise | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 13 | Mitchell's Christian Singers | What More Can My Jesus Do | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 14 | Mitchell's Christian Singers | My Mother Died A-Shoutin' | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 061 | Spirituals To Swing 2 | 2 | 15 | Kansas City Six | Pagin' The Devil | 1938 | LP | Amiga | weinrot Doppelstrich | 8 50 061 - 2B / L80 W MT | LP | 1980 | 1980 | ||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | hellblau Doppelstrich | 8 50 063 - 2A / B79 W NT | LP | 1978 | 1966 | |||
8 50 066 | 2 | 6 | Mahalia Jackson | It Don't Cost Very Much | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 7 | Mahalia Jackson | Summertime | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 8 | Mahalia Jackson | Just A Little While To Stay Here | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 9 | Mahalia Jackson | The Lord's Prayer | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 10 | Mahalia Jackson | Nobody Knows The Trouble I've Seen | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 11 | Mahalia Jackson | Down By The Riverside | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 8 | Manfred Ludwig-Sextett | Desafinado | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 9 | Manfred Ludwig-Sextett | Skandinavia | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 10 | Günter Hörig Trio | Opus de Funk | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 11 | Quintett 61 | Worksong | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 12 | Quintett 61 | Valse Fantastique | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 13 | Günter Hörig Trio | Give Me The Simple Life | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 14 | Manfred Ludwig-Sextett | Take Five | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 15 | Manfred Ludwig-Sextett | Erinnerungen an Richard | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 8 | Orchester Günther Kretschmer | Siesta | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 9 | Orchester Jürgen Hermann | Komplimente | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 10 | Orchester Günter Gollasch | Phonographen-Cha Cha Cha | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 11 | Orchester Erwin Thiele | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 12 | Blasorchester Otto Kaiser | Gemütlichkeit | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 13 | Orchester Günter Gollasch | Tschechische Polka | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 14 | Orchester Günter Gollasch | Feuerstuhl-Boogie | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 8 | Louis Armstrong | Song Of The Islands | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 9 | Louis Armstrong | Body And Soul | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 10 | Louis Armstrong | Memories Of You | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 11 | Louis Armstrong | You're Lucky To Me | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 12 | Louis Armstrong | Sweethearts On Parade | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 13 | Louis Armstrong | You're Driving Me Crazy | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 14 | Louis Armstrong | Just A Gigolo | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 15 | Louis Armstrong | Shine | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 071 | Chor in Swing | 2 | 8 | Chor & Orchester Günter Oppenheimer | Serenade In Blue | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 9 | Chor & Orchester Günter Oppenheimer | Django | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 10 | Chor & Orchester Günter Oppenheimer | Robins Bossa Nova | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 11 | Chor & Orchester Günter Oppenheimer | Spitze Worte | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 12 | Chor & Orchester Günter Oppenheimer | Yesterday | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 13 | Chor & Orchester Günter Oppenheimer | Flip | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 14 | Chor & Orchester Günter Oppenheimer | Suite In Scat | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 6 | Ella Fitzgerald & Louis Armstrong | It Ain't Necessarily So | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 7 | Louis Armstrong | A Woman Is A Sometime Thing | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 8 | Louis Armstrong | There's A Boat Dat's Leavin' Soon For New York | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 9 | Louis Armstrong | Bess, Oh Where's My Bess | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 10 | Louis Armstrong | Oh Lawd, I'm On My Way | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 074 | Amiga Express 1966 | 2 | 9 | Eddi Busch | Ganz in weiß | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 9 | Eddi Busch | Ganz in weiß | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 10 | Karin Prohaska | Jung gefreit hat nie gereut | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 10 | Karin Prohaska | Jung gefreit hat nie gereut | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 11 | Klaus Gross | Wenn du Abschied nimmst | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 11 | Klaus Gross | Wenn du Abschied nimmst | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 12 | Rica Deus | Kleine Stadt | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 12 | Rica Deus | Kleine Stadt | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 13 | Andreas Holm | Bin schon vergeben | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 13 | Andreas Holm | Bin schon vergeben | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 14 | Regina Thoss | Nimm den Kuß als Souvenir | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 14 | Regina Thoss | Nimm den Kuß als Souvenir | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 15 | Helga Brauer | Schlaf, mein kleiner Jonny | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 15 | Helga Brauer | Schlaf, mein kleiner Jonny | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 16 | Frank Schöbel | Schau lieber weg | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 16 | Frank Schöbel | Schau lieber weg | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 075 | Doris Day | 2 | 7 | Doris Day | Que sera, sera | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 8 | Doris Day | If I Give My Heart To You | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 9 | Doris Day | Please Don't Eat The Daisies | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 10 | Doris Day | When I Fall In Love | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 11 | Doris Day | Pillow Talk | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 12 | Doris Day | Love Me Or Leave Me | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 076 | Count Basie & Lester Young | 2 | 4 | Jimmy Rushing& Lester Young | Sent For You Yesterday | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 5 | Jimmy Rushing& Lester Young | Boogie Woogie | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 6 | Jimmy Rushing& Lester Young | Evenin' | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 7 | Count Basie & Lester Young | One O'Clock Jump | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 077 | Nat King Cole | 2 | 8 | Nat King Cole | Orange Coloured Sky | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 8 | Nat King Cole | Orange Coloured Sky | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 9 | Nat King Cole | Fascination | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 9 | Nat King Cole | Fascination | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 10 | Nat King Cole | Too Young | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 10 | Nat King Cole | Too Young | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 11 | Nat King Cole | It's Only A Paper Moon | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 11 | Nat King Cole | It's Only A Paper Moon | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 12 | Nat King Cole | Mucho, Mucho, Mucho | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 12 | Nat King Cole | Mucho, Mucho, Mucho | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 13 | Nat King Cole | Pretend | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 13 | Nat King Cole | Pretend | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 14 | Nat King Cole | Love | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 2 | 14 | Nat King Cole | Love | LP | Amiga | weinrot Doppelstrich | 8 50 077 - 2C / G9 S-K | LP | 1973 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 8 | Die Scherbelberger Musikanten | Der alte Jägermarsch | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 8 | Die Scherbelberger Musikanten | Der alte Jägermarsch | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 9 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Rosamunde | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 9 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Rosamunde | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 10 | Robert Steffan | Das Walzerchen | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 10 | Robert Steffan | Das Walzerchen | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 11 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Marianka | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 11 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Marianka | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 12 | Das Columbia-Quartett & Die Kolibris | Laß die Sonne wieder scheinen | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 12 | Das Columbia-Quartett & Die Kolibris | Laß die Sonne wieder scheinen | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 13 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Rheinländer-Potpourri | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 13 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Rheinländer-Potpourri | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 14 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Herz, Schmerz und dies und das | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 078 | Das macht Laune | 2 | 14 | Die fröhlichen Sänger & Die Scherbelberger Musikanten | Herz, Schmerz und dies und das | LP | Amiga | weinrot Doppelstrich | 850078 - 2A / H 7 W 0 | LP | 1967 | n.v. | |||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 6 | Bing Crosby & Louis Armstrong | Way Down Yonder In New Orleans | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 7 | Bing Crosby & Louis Armstrong | Bye Bye Blues | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 8 | Bing Crosby & Louis Armstrong | At The Jazz Band Ball | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 9 | Bing Crosby & Louis Armstrong | Rocky Mountain Moon | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 10 | Bing Crosby & Louis Armstrong | Little Ol' Tune | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 11 | Bing Crosby & Louis Armstrong | Brother Bill | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 5 | Ballhausorchester Kurt Beyer | Wir tanzen Tango | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 6 | Günter Friess Sextett | Wir tanzen Rumba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 7 | Fritz Heimbach-Barsextett | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 8 | Günter Friess Sextett | Wir tanzen langsamen Foxtrott | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 9 | Orchester Günter Gollasch | Wir tanzen Samba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 083 | Prominente des Jazz | 2 | 10 | Thelonius Monk-Quartett | Coming On The Hudson | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 11 | Dave Lambert & Jon Hendricks & Annie Ross | This Here | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 12 | Bill Doggett-Combo | So Sassy | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 13 | Jay Jay Johnson-Sextett | Fatback | 1960 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 14 | Bud Powell-Trio | Ruby My Dear | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 085 | In der Bar nebenan | 2 | 8 | Trocadero-Sextett | An einem Tag im Frühling / Abends in der Taverne / Komm doch in meine Arme | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 9 | Trocadero-Sextett | Prisoner Of Love | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 10 | Trocadero-Sextett | Leicht verdreht | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 11 | Trocadero-Sextett | Du bist mein Traum | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 12 | Trocadero-Sextett | Im Großstadtrummel | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 13 | Trocadero-Sextett | Ein Wiedersehn mit dir | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 14 | Trocadero-Sextett | Sarkasmus | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 086 | Amateur Favoriten | 2 | 9 | Tanzorchester Tornados | Spanische Fliege | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 10 | Jürgen Heider-Swingtett | Pelikan | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 11 | Tanzorchester Leipzig | Mustermesse 65 | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 12 | Evergreen Sextett | Ack wärmeland du skonar | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 13 | Eva Kirchner | Mallorie | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 14 | Jürgen Heider-Swingtett | Das Märchen der Liebe | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 15 | Tanzorchester Leipzig | Nessy | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 8 | Diverse | Gieß kein Bier ins Klavier | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 9 | Diverse | Ich lieb' dich | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 10 | Diverse | Ricki ticki tim | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 11 | Diverse | Stadtpfeifer Parade | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 12 | Diverse | Ein altes Karussell | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 13 | Diverse | In der Bar Zum langen Jan | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 14 | Diverse | Gute Nacht, lieber Mann am Klavier | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 8 | Orchester Jürgen Hermann | Hallelujah | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 8 | Orchester Jürgen Hermann | Hallelujah | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 9 | Orchester Günter Gollasch | Hully-Gully-Ho | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 9 | Orchester Günter Gollasch | Hully-Gully-Ho | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 10 | Orchester Gerhard Honig | Ich hab' dich einmal geküßt | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 10 | Orchester Gerhard Honig | Ich hab' dich einmal geküßt | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 11 | Orchester Siegfried Mai | Star Dust | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 11 | Orchester Siegfried Mai | Star Dust | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 12 | Orchester Günter Oppenheimer | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 12 | Orchester Günter Oppenheimer | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 13 | Orchester Walter Eichenberg | Hully-Gully-Party | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 13 | Orchester Walter Eichenberg | Hully-Gully-Party | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 14 | Orchester Horst Geipel | In Marseille lebt Marcel | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 14 | Orchester Horst Geipel | In Marseille lebt Marcel | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 8 | Orchester Schwarz-Weiß | Blue Moon | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 9 | Orchester Günther Kretschmer | Onkel Joe | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 10 | Orchester Günter Oppenheimer | Der neue Frack für Herrn Krakowiak | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 11 | Orchester Jürgen Hermann | I Know, Don't Know How | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 12 | Orchester Günter Gollasch | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 13 | Orchester Günther Kretschmer | Montmartre-Melodie | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 090 | Die große Orchesterparade 2 | 2 | 14 | Orchester Jürgen Hermann | Swinging Strings | LP | Amiga | rot-weiß | 0 503 376 / 8 50 090 B / K 6 S0 K | LP | 1966 | n.v. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 8 | Orchester Siegfried Mai | I Can't Give You Anything But Love | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 9 | Orchester Jürgen Hermann | Skizze In Sweet | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 10 | Orchester Walter Eichenberg | Dankeschön | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 11 | Orchester Jürgen Hermann | Colette | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 12 | Orchester Günter Oppenheimer | Teddies Swing | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 13 | Orchester Gerhard Honig | Introduktion | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 091 | Die große Orchesterparade 3 | 2 | 14 | Orchester Günter Gollasch | Augustins Twist | LP | Amiga | rot-weiß | 0 503 378 / 8 50 091 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 092 | Schlager 66 | 2 | 8 | Christa Keller | Denk mal an mich | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 9 | Michael Heymann | Frag nicht | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 10 | Rosemarie Ambe | Seifenblasen und Luftballons | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 11 | Christian Schafrik | Warum bist du allein | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 12 | Julia Axen | Melodie en suite | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 13 | Enzo-Trio | Vater Zille | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 092 | Schlager 66 | 2 | 14 | Christel Schulze | Die Liebe ist wie der April | LP | Amiga | rot-weiß | 0 503 380 / 8 50 092 B / E6 W - S K | LP | 1966 | n.v. | |||
8 50 093 | Internationales Liederfestival 1966 | 2 | 8 | Jossif Kobson | Die Rose war rot | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 093 | Internationales Liederfestival 1966 | 2 | 9 | Jossif Kobson | Atomzeitalter | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 093 | Internationales Liederfestival 1966 | 2 | 10 | Regina Thoss & Kolibris | Ein schöner Tag | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 093 | Internationales Liederfestival 1966 | 2 | 11 | Georgi Kordow | Komm, du Liebe | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 093 | Internationales Liederfestival 1966 | 2 | 12 | Joanna Ravik | Geh nicht diese Straße | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 093 | Internationales Liederfestival 1966 | 2 | 13 | Tadeusz Wozniakowski | Du hast kein Herz | 1966 | LP | Amiga | rot-weiß | 0 503 382 / 8 50 093 B / B7 W - K | LP | 1967 | n.v. | ||
8 50 094 | Hammond Feuerwerk | 2 | 8 | Klaus Wunderlich | Eine Schwarzwaldfahrt | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 8 | Klaus Wunderlich | Eine Schwarzwaldfahrt | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 9 | Klaus Wunderlich | Das Mädchen, das du liebst | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 9 | Klaus Wunderlich | Das Mädchen, das du liebst | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 10 | Klaus Wunderlich | Gern hab' ich die Frau'n geküßt | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 10 | Klaus Wunderlich | Gern hab' ich die Frau'n geküßt | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 11 | Klaus Wunderlich | Chant sans paroles | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 11 | Klaus Wunderlich | Chant sans paroles | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 12 | Klaus Wunderlich | Boulevard-Bummel | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 12 | Klaus Wunderlich | Boulevard-Bummel | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 13 | Klaus Wunderlich | Tango Bolero | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 13 | Klaus Wunderlich | Tango Bolero | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 14 | Klaus Wunderlich | Artisten-Parade | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 094 | Hammond Feuerwerk | 2 | 14 | Klaus Wunderlich | Artisten-Parade | LP | Amiga | rot-weiß | 0 503 384 / 8 50 094 B / M6 S 0 S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 8 | Andreas Holm & Erika Janikowa | Damit es keine Tränen gibt | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 8 | Andreas Holm & Erika Janikowa | Damit es keine Tränen gibt | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 8 | Andreas Holm & Erika Janikowa | Damit es keine Tränen gibt | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 9 | Ernst Heise | Herbstlied | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 9 | Ernst Heise | Herbstlied | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 9 | Ernst Heise | Herbstlied | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 10 | Ingrid Winkler | Aus alten Scherben wird kein neues Glück | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 10 | Ingrid Winkler | Aus alten Scherben wird kein neues Glück | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 10 | Ingrid Winkler | Aus alten Scherben wird kein neues Glück | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 11 | Robby Lind | Drum nütze die Jahre | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 11 | Robby Lind | Drum nütze die Jahre | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 11 | Robby Lind | Drum nütze die Jahre | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 12 | Klaus Sommer | Heute und morgen und alle Zeit | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 12 | Klaus Sommer | Heute und morgen und alle Zeit | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 12 | Klaus Sommer | Heute und morgen und alle Zeit | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 13 | Gerti Möller | Sag | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 13 | Gerti Möller | Sag | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 13 | Gerti Möller | Sag | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 14 | Günter Hapke | Warum in die Ferne schweifen | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 14 | Günter Hapke | Warum in die Ferne schweifen | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 095 | Schlager 1967 | 2 | 14 | Günter Hapke | Warum in die Ferne schweifen | LP | Amiga | rot-weiß | 0 503 386 / 8 50 095 B / E7 W - K S S | LP | 1967 | n.v. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 7 | Bärbel Wachholz | Das kann ich niemals vergessen | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 8 | Orchester Horst Geipel | Men Are Men | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 9 | Tadeusz Wozniakowski | Olla la Mandolina | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 10 | OrchesterHorst Geipe | Sangen om dig | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 11 | Anita Hirvonen | Leg mir keine Edelsteine in den Weg | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 096 | Internationales Schlagerfestival | 2 | 12 | Orchester Horst Geipel | Zum Tanzen gehören vier Beine | LP | Amiga | rot-weiß | 0 503 404 / 8 50 096 B / D7 S 0 S | LP | 1967 | k.A. | |||
8 50 097 | 2 | 12 | Oktober-Klub | Knüpflied an eine Unruhestifterin | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 12 | Oktober-Klub | Knüpflied an eine Unruhestifterin | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 13 | Oktober-Klub | Zwischen Roggenfeld und Hecken | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 13 | Oktober-Klub | Zwischen Roggenfeld und Hecken | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 14 | Oktober-Klub | Als ich kam durchs Oderluch | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 14 | Oktober-Klub | Als ich kam durchs Oderluch | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 15 | Oktober-Klub | Von einem Alptraum | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 15 | Oktober-Klub | Von einem Alptraum | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 16 | Oktober-Klub | Friedenslied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 16 | Oktober-Klub | Friedenslied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 17 | Oktober-Klub | Partisanen vom Amur | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 17 | Oktober-Klub | Partisanen vom Amur | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 18 | Oktober-Klub | Oktobersong | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 18 | Oktober-Klub | Oktobersong | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 19 | Oktober-Klub | Ech Jablotschko | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 19 | Oktober-Klub | Ech Jablotschko | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 20 | Oktober-Klub | Lied vom Feuerteufel einer lieben, guten Tante | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 20 | Oktober-Klub | Lied vom Feuerteufel einer lieben, guten Tante | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 21 | Oktober-Klub | Ungarisches Stundenlied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 21 | Oktober-Klub | Ungarisches Stundenlied | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 22 | Oktober-Klub | Schau her | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 097 | 2 | 22 | Oktober-Klub | Schau her | LP | Amiga | rot-weiß | 0 503 406 / 8 50 097 B / G7 W 0 | LP | 1967 | k.A. | ||||
8 50 098 | Kämpfendes Vietnam | 2 | 7 | Horst Schulze | Song vom Bambus | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 8 | Gisela May | Vielleicht wird die Bombe schon scharf gemacht | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 9 | Horst Schulze | Schrei | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 10 | Gisela May | Willst du, daß wir weinen | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 11 | Gerry Wolff | Hätte ich ein Netz | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 12 | Horst Schulze | Pauls Traum | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 098 | Kämpfendes Vietnam | 2 | 13 | Gisela May | Reisbauern, Kämpfer, Genossen | LP | Amiga | rot-weiß | 0 503 408 / 8 50 098 B / G7 W 0 | LP | 1967 | k.A. | |||
8 50 102 | 2 | 8 | Frank Sinatra | Begin The Beguine | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 8 | Frank Sinatra | Begin The Beguine | LP | Amiga | weinrot Doppelstrich | 0 503 416 / 8 50 102 B / M6 W - | LP | 1980 | n.v. | ||||
8 50 102 | 2 | 9 | Frank Sinatra | April In Paris | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. | ||||
8 50 102 | 2 | 9 | Frank Sinatra | April In Paris | LP | Amiga | weinrot Doppelstrich | 0 503 416 / 8 50 102 B / M6 W - | LP | 1980 | n.v. | ||||
8 50 102 | 2 | 10 | Frank Sinatra | September Song | LP | Phonoclub | rot | 0 503 416 / 8 50 102 B / M6 W - | LP | 1967 | k.A. |