Nummer | Tonträger | Seite | Track | Interpret | Titel | Jahr | Tonträgerart | Label | Labelfarbe | Matrize | Cover | Coverdruck | Begleittext | Genre | Archiv |
8 50 082 | Wir bitten zum Tanz 2 | 2 | 6 | Günter Friess Sextett | Wir tanzen Rumba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 5 | Ballhausorchester Kurt Beyer | Wir tanzen Tango | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 4 | Günter Oppenheimer Swingtett | Wir tanzen Boogie | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 3 | Orchester Jürgen Hermann | Wir tanzen Wiener Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 2 | Günter Friess Sextett | Wir tanzen Foxtrott | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 1 | Orchester Jürgen Hermann | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 11 | Bing Crosby & Louis Armstrong | Brother Bill | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 10 | Bing Crosby & Louis Armstrong | Little Ol' Tune | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 9 | Bing Crosby & Louis Armstrong | Rocky Mountain Moon | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 8 | Bing Crosby & Louis Armstrong | At The Jazz Band Ball | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 7 | Bing Crosby & Louis Armstrong | Bye Bye Blues | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 2 | 6 | Bing Crosby & Louis Armstrong | Way Down Yonder In New Orleans | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 2C / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 5 | Bing Crosby & Louis Armstrong | Let's Sing Like A Dixieland Band | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 4 | Bing Crosby & Louis Armstrong | Sugar | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 3 | Bing Crosby & Louis Armstrong | Muskrat Ramble | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 2 | Bing Crosby & Louis Armstrong | Dardanella | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 081 | Bing Crosby und Louis Armstrong | 1 | 1 | Bing Crosby & Louis Armstrong | Preacher | 1960 | LP | Amiga | hellblau Doppelstrich | 8 50 081 - 1B / H85 EN C | LP | 1968 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 6 | Ella Fitzgerald | How High The Moon | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 5 | Ella Fitzgerald & Louis Armstrong | They Can't Take That Away From Me | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Moonlight In Vermont | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 3 | Ella Fitzgerald | Can't Buy Me Love | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 2 | Ella Fitzgerald & Louis Armstrong | Stars Fell On Alabama | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 1 | Ella Fitzgerald | Hello Dolly | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 7 | Count Basie & Lester Young | One O'Clock Jump | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 6 | Jimmy Rushing& Lester Young | Evenin' | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 5 | Jimmy Rushing& Lester Young | Boogie Woogie | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 4 | Jimmy Rushing& Lester Young | Sent For You Yesterday | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 3 | Lester Young | Lester Leaps In | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 2 | Lester Young | Polka Dots And Moonbeats | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 1 | Count Basie | Swingin' At Newport | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 075 | Doris Day | 2 | 12 | Doris Day | Love Me Or Leave Me | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 11 | Doris Day | Pillow Talk | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 10 | Doris Day | When I Fall In Love | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 9 | Doris Day | Please Don't Eat The Daisies | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 8 | Doris Day | If I Give My Heart To You | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 7 | Doris Day | Que sera, sera | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 6 | Doris Day | Bewitched | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 5 | Doris Day | Teacher's Pet | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 4 | Doris Day | Secret Love | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 3 | Doris Day | A Guy Is A Guy | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 2 | Doris Day | It's Magic | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 1 | Doris Day | Everybody Loves A Lover | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 10 | Louis Armstrong | Oh Lawd, I'm On My Way | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 9 | Louis Armstrong | Bess, Oh Where's My Bess | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 8 | Louis Armstrong | There's A Boat Dat's Leavin' Soon For New York | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 7 | Louis Armstrong | A Woman Is A Sometime Thing | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 6 | Ella Fitzgerald & Louis Armstrong | It Ain't Necessarily So | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 5 | Ella Fitzgerald | What You Want Wid Bess | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Bess, You Is My Woman Now | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 3 | Ella Fitzgerald & Louis Armstrong | I Got Plenty O' Nuttin' | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 2 | Ella Fitzgerald | I Wants To Stay Here | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 1 | Ella Fitzgerald & Louis Armstrong | Summertime | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 14 | Chor & Orchester Günter Oppenheimer | Suite In Scat | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 13 | Chor & Orchester Günter Oppenheimer | Flip | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 12 | Chor & Orchester Günter Oppenheimer | Yesterday | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 11 | Chor & Orchester Günter Oppenheimer | Spitze Worte | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 10 | Chor & Orchester Günter Oppenheimer | Robins Bossa Nova | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 9 | Chor & Orchester Günter Oppenheimer | Django | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 8 | Chor & Orchester Günter Oppenheimer | Serenade In Blue | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 7 | Chor & Orchester Günter Oppenheimer | Matrosentanz | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 6 | Chor & Orchester Günter Oppenheimer | Abends kommen die Sterne | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 5 | Chor & Orchester Günter Oppenheimer | Vocalise | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 4 | Chor & Orchester Günter Oppenheimer | Don't Blame Me | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 3 | Chor & Orchester Günter Oppenheimer | Solo in Moll | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 2 | Chor & Orchester Günter Oppenheimer | Fugato | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 1 | Chor & Orchester Günter Oppenheimer | Chorserenade | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 15 | Louis Armstrong | Shine | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 14 | Louis Armstrong | Just A Gigolo | 1931 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 13 | Louis Armstrong | You're Driving Me Crazy | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 12 | Louis Armstrong | Sweethearts On Parade | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 11 | Louis Armstrong | You're Lucky To Me | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 10 | Louis Armstrong | Memories Of You | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 9 | Louis Armstrong | Body And Soul | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 2 | 8 | Louis Armstrong | Song Of The Islands | 1930 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 2A /D0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 7 | Louis Armstrong & Hoagy Carmichael | Rockin' Chair | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 6 | Louis Armstrong & His Orchestra | St Louis Blues | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 5 | Louis Armstrong & His Orchestra | Ain't Misbehavin' | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 4 | Louis Armstrong & His Orchestra | Mahogany Hall Stomp | 1929 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 3 | Louis Armstrong | St James Infirmary Blues | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 2 | Louis Armstrong | Basin Street Blues | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 070 | Louis Armstrong 1928-1931 | 1 | 1 | Louis Armstrong & Earl Hines & Mancy Cara | Squeeze Me | 1928 | LP | Amiga | weinrot Doppelstrich | 8 50 070 - 1B /E0 G 0 | LP | 1971 | k.A. | ||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 14 | Orchester Günter Gollasch | Feuerstuhl-Boogie | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 13 | Orchester Günter Gollasch | Tschechische Polka | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 12 | Blasorchester Otto Kaiser | Gemütlichkeit | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 11 | Orchester Erwin Thiele | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 10 | Orchester Günter Gollasch | Phonographen-Cha Cha Cha | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 9 | Orchester Jürgen Hermann | Komplimente | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 8 | Orchester Günther Kretschmer | Siesta | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 7 | Orchester Günter Oppenheimer | Marsch der Matrosen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 6 | Orchester Horst Geipel | Ein verregneter Sonntag | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 5 | Orchester Günter Gollasch | Was eine Frau im Frühling träumt / Mit dir möcht ich am Sonntag angeln gehn' / Warte noch ein Weilchen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 4 | Orchester Günter Gollasch | Serenade der Nacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 3 | Orchester Jürgen Hermann | Kußwalzer | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 2 | Orchester Jürgen Hermann | Amorcito | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 1 | Orchester Fips Fleischer | Warum hast du mich gleich so verliebt gemacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 15 | Manfred Ludwig-Sextett | Erinnerungen an Richard | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 14 | Manfred Ludwig-Sextett | Take Five | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 13 | Günter Hörig Trio | Give Me The Simple Life | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 12 | Quintett 61 | Valse Fantastique | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 11 | Quintett 61 | Worksong | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 10 | Günter Hörig Trio | Opus de Funk | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 9 | Manfred Ludwig-Sextett | Skandinavia | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 8 | Manfred Ludwig-Sextett | Desafinado | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 7 | Werner Pfüller-Quintett | Sack O'Woe | 1963 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 6 | Werner Pfüller-Quintett | Good Bait | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 5 | Werner Pfüller-Quintett | Rose | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 4 | Werner Pfüller-Quintett | Blaue Straßen | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 3 | Werner Pfüller-Quintett | Horace's Theme | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 2 | Werner Pfüller-Quintett | Moanin | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 1 | Werner Pfüller-Quintett | Mad About A Boy | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 066 | 2 | 11 | Mahalia Jackson | Down By The Riverside | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 10 | Mahalia Jackson | Nobody Knows The Trouble I've Seen | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 9 | Mahalia Jackson | The Lord's Prayer | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 8 | Mahalia Jackson | Just A Little While To Stay Here | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 7 | Mahalia Jackson | Summertime | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 6 | Mahalia Jackson | It Don't Cost Very Much | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 5 | Mahalia Jackson | God Is So Good | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 4 | Mahalia Jackson | The Upper Room | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 3 | Mahalia Jackson | Move On Up A Little Higher | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 2 | Mahalia Jackson | It Is No Secret | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 1 | Mahalia Jackson | The Christian's Testimony | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 8 | Ray Charles | I've Got News For You | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 7 | Ray Charles | California, Here I Come | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 6 | Ray Charles | Marie | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 5 | Ray Charles | Josephin | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 4 | Ray Charles | New York' s My Home | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 3 | Ray Charles | Alabamy Bound | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 2 | Ray Charles | Basin Street Blues | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 1 | Ray Charles | At The Club | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 16 | New Orleans Feetwarmers | Kate | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 15 | New Orleans Feetwarmers | I Wish I Could Shimmy Like My Sister | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 14 | New Orleans Feetwarmers | Weary Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 13 | New Orleans Feetwarmers | Carolina Shout | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 12 | New Orleans Feetwarmers | Mule Walk | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 11 | Count Basie Combo | Don't Be That Way | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 10 | Count Basie | I Ain't Got Nobody | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 9 | Kansas City Six | Way Down Yonder In New Orleans | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 8 | Kansas City Six | Good Morning Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 7 | Count Basie Band | Rhythm Man | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 6 | Oran 'Hot Lips' Page & Count Basie Band | Blues WithLips | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 5 | Count Basie Band | One O'Clock Jump | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 4 | Helen Humes & Count Basie Combo | Blues With Helen | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 3 | Benny Goodman Sextett | Memories Of You | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 2 | Benny Goodman Sextett | Flying Home | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 1 | Benny Goodman Sextett | I Got Rhythm | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 19 | Oscar Peterson & Ray Brown | Tenderly | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 12 | Oscar Peterson & Major Holley | Little White Lies | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 11 | Oscar Peterson & Ray Brown | Oscar's Blues | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 9 | Oscar Peterson & Orchestra Nelson Riddle | Someday My Prince Will Come | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 8 | Oscar Peterson Trio | Great Day | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 7 | Oscar Peterson Trio | Without A Song | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 6 | Oscar Peterson Trio | I Wan't Dance | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 / 8 50 059 B / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 2 | 5 | Oscar Peterson Trio | Ol' Man River | LP | Amiga | rot-weiß | 0 503 192 - 1 / 8 50 059 B / F6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 4 | Oscar Peterson Trio | My Heart Stood Still | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 4 | Oscar Peterson Trio | My Heart Stood Still | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 3 | Oscar Peterson Trio | Maidens Of Cadiz | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 3 | Oscar Peterson Trio | Maidens Of Cadiz | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 2 | Oscar Peterson Trio | Woody'n You | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 2 | Oscar Peterson Trio | Woody'n You | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 1 | Oscar Peterson Trio | Liza | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 059 | Jazz Portrait | 1 | 1 | Oscar Peterson Trio | Liza | LP | Amiga | rot-weiß | 0 503 191 / 8 50 059 A / C6 S 0 | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 14 | Perdidos & Enzo-Trio | Fascinating Rhythm | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 13 | Rica Deus | Someone To Watch Over Me | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 12 | Rec Demont | Oh, Lady Be Good | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 11 | Christel Schulze | Summertime | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 10 | Orchester Gerhard Kneifel | Strike Up The Band | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 9 | Perdidos & Enzo-Trio | Love Is Her To Stay | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 8 | Rec Demont | s Wonderful | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 7 | Perdidos & Enzo-Trio | Embraceable You | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 6 | Rec Demont | A Foggy Day | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 5 | Orchester Gerhard Kneifel | "Blues aus ""Ein Amerikaner in Paris""" | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 4 | Christel Schulze | Somebody Loves Me | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 3 | Perdidos & Enzo-Trio | Liza | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 2 | Rica Deus | The Man I Love | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 1 | Orchester Gerhard Kneifel | I Got Rhythm | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 056 | Flöte - Alt-Sax | 2 | 7 | Leo Wright-Combo | Grooving High | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 6 | Leo Wright-Combo | Blues March | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 5 | Leo Wright-Combo | Every Day I Have The Blues | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 4 | Leo Wright-Combo | Kidney Stew | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 3 | Leo Wright-Combo | Down Home Kansas City Blues | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 2 | Leo Wright-Combo | It Might As Well Be Spring | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 1 | Leo Wright-Combo | Encore | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 2A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 1A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 1A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 1A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 1A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | weinrot Doppelstrich | 8 55 055 - 1A / A76 W NT | LP | 1970 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 054 | Modern Jazz Big Band 65 | 2 | 6 | Modern Jazz Big Band | Night In Tunesia | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 5 | Modern Jazz Big Band | Peace | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 4 | Modern Jazz Big Band | Watermelonman | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 3 | Modern Jazz Big Band | Serenade Mysterioso | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 2 | Modern Jazz Big Band | Kleines Lied für Eric | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 1 | Modern Jazz Big Band | Ein Nachmittag in Berlin | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 15 | Werner Sellhorn & Ensemble Jazz und Lyrik | Abschieds-Blues | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 14 | Manfred Krug & Jazz-Optimisten Berlin | When The Saints Go Marchin' In | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 13 | Manfred Krug & Jazz-Optimisten Berlin | Hallelujah, I Just Love Her So | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 12 | Manfred Krug | Die sieben Sachen | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 11 | Manfred Krug & Jazz-Optimisten Berlin | There's A Boat That's Leavin' Soon For New York | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 10 | Jazz-Optimisten Berlin | My Bonnie Is Over The Ocean | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 9 | Eberhard Esche | Anekdote | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 8 | Jazz-Optimisten Berlin | Tiger Rag | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 7 | Manfred Krug & Rhythmusgruppe der Jazz-Optimisten Berlin | Die Ballade vom Briefträger William L.Moore aus Baltimore | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 6 | Manfred Krug | Zwei Seelen | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 5 | Manfred Krug | Zerstörtes Liebesglück | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 4 | Jazz-Optimisten Berlin | Die Oliven gedeihn | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 3 | Eberhard Esche | Ode an die Seeaalsuppe | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 2 | Jazz-Optimisten Berlin | South Rampart Street Parade | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 1 | Jazz-Optimisten Berlin | When It's Sleepy Time Down South | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 16 | Manfred Ludwig-Sextett | Eine Lappalie | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 15 | Dorothy Ellison & Manfred Ludwig-Sextett | Blueberry Hill | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 14 | Manfred Ludwig-Sextett | E W als Gruß | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 13 | Dorothy Ellison & Manfred Ludwig-Sextett | Blues In The Night | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 12 | Manfred Ludwig-Sextett | Zwielicht | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 11 | Dorothy Ellison & Manfred Ludwig-Sextett | They Say, It's Wonderful | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 10 | Manfred Ludwig-Sextett | Gral | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 9 | Dorothy Ellison & Manfred Ludwig-Sextett | Hit The Road, Jack | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 8 | Manfred Ludwig-Sextett | Ruben | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 7 | Dorothy Ellison & Manfred Ludwig-Sextett | Mister Sandmann | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 6 | Manfred Ludwig-Sextett | Condor | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 5 | Dorothy Ellison & Manfred Ludwig-Sextett | Georgia | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 4 | Manfred Ludwig-Sextett | Zdena | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 3 | Dorothy Ellison & Manfred Ludwig-Sextett | I Can't Stop Loving You | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 2 | Manfred Ludwig-Sextett | Zwecke | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 1 | Dorothy Ellison & Manfred Ludwig-Sextett | Take The A-Train | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 6 | Rolf Kühn Quintett | Soldat Tadeusz | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 5 | Rolf Kühn Quintett | Lady Orsina | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 4 | Rolf Kühn Quintett | Mountain Jump | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 1 | 3 | Rolf Kühn Quintett | Sie gleicht wohl einem Rosenstock | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 1 | 2 | Rolf Kühn Quintett | Solarius | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 1 | 1 | Rolf Kühn Quintett | Minor Impressions | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 045 | 2 | 23 | California Jubilee Singers | Little David | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 22 | California Jubilee Singers | Rock My Soul | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 21 | California Jubilee Singers | Dem Bones | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 20 | California Jubilee Singers | River Chant | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 19 | California Jubilee Singers | Climbin' Up The Mountain | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 18 | California Jubilee Singers | Let The Hebin Light Shine On Me | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 17 | California Jubilee Singers | I Got Plenty O' Nuttin' | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 16 | California Jubilee Singers | Old Man River | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 15 | California Jubilee Singers | I Go To Lie Down | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 14 | California Jubilee Singers | Amen | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 13 | California Jubilee Singers | Get On Board | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 12 | California Jubilee Singers | Keep A Inchin Along | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 11 | California Jubilee Singers | Every Time I Feel The Spirit | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 10 | California Jubilee Singers | Poor Man Lazarus | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 9 | California Jubilee Singers | Ole Ark's A-Moverin' | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 8 | California Jubilee Singers | Hold De Light | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 7 | California Jubilee Singers | Swing Low, Sweet Chariot | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 6 | California Jubilee Singers | My God Is So High | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 5 | California Jubilee Singers | His Name So Sweet | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 4 | California Jubilee Singers | Ride On, King Jesus | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 3 | California Jubilee Singers | Ceretainy Lord | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 2 | California Jubilee Singers | Dere's A Balm In Gilead | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 1 | California Jubilee Singers | Joshua Fit The Battle Of Jericho | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 044 | Louis Armstrong | 2 | 16 | Louis Armstrong & His Hot Five | I'm Not Rough | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 15 | Louis Armstrong & His Hot Five | Got No Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 14 | Louis Armstrong & His Hot Five | The Last Time | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 13 | Louis Armstrong & His Hot Seven | Gully Low Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 12 | Sippie Wallace | The Flood Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 11 | Bertha Chippie | Pratt City Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 10 | Bertha Chippie | Pleadin' For The Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 9 | Louis Armstrong & His Hot Five | Lonesome Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 8 | Louis Armstrong & His Hot Five | The King Of The Zulus | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 7 | Butterbeans & Susie | He Likes It Slow | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 6 | Louis Armstrong & His Hot Five | Cornet Shop Suey | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 5 | Louis Armstrong & His Hot Five | Heebie Jeebies | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 4 | Louis Armstrong & His Hot Five | My Heart | 1925 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 3 | Louis Armstrong & His Hot Five | Gut Bucket Blues | 1925 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 2 | King Oliver's Jazz Band | Where Did You Stay Last Night | 1923 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 1 | King Oliver's Jazz Band | High Society Rag | 1923 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 6 | Albert Mangelsdorff Quintett | Ballade für Jessica Rose | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 5 | Albert Mangelsdorff Quintett | Tension | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 4 | Albert Mangelsdorff Quintett | Varie | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 1 | 3 | Albert Mangelsdorff Quintett | Set 'em Up | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 1 | 2 | Albert Mangelsdorff Quintett | Blues Du Domicile | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 1 | 1 | Albert Mangelsdorff Quintett | Club Trois | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 10 | Mariona | O lala, Paris | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 10 | Mariona | O lala, Paris | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 9 | Will Brandes | Giovane, Giovane | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 9 | Will Brandes | Giovane, Giovane | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 8 | Orchester Kurt Edelhagen | Let's Have A Taste | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 8 | Orchester Kurt Edelhagen | Let's Have A Taste | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 7 | Ines Taddio | Quando Quando | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 7 | Ines Taddio | Quando Quando | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 6 | Will Brandes | Hello, Dolly | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 6 | Will Brandes | Hello, Dolly | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 5 | Sven Jennsen | Eine Lederhose braucht keine Bügelfalten | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 5 | Sven Jennsen | Eine Lederhose braucht keine Bügelfalten | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 4 | Mariona | Ich habe Sehnsucht | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 4 | Mariona | Ich habe Sehnsucht | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 3 | Orchester Kurt Edelhagen | Cookin' At The Continental | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 3 | Orchester Kurt Edelhagen | Cookin' At The Continental | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 2 | Ines Taddio | 24000 Küsse | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 2 | Ines Taddio | 24000 Küsse | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 1 | Sven Jennsen | Potpourri aus My Fair Lady | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 1 | Sven Jennsen | Potpourri aus My Fair Lady | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 036 | Kurt Edelhagen | 2 | 7 | Orchester Kurt Edelhagen | Carioca | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 2 | 6 | Orchester Kurt Edelhagen | Till | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 2 | 5 | Orchester Kurt Edelhagen | Potpourri sowjetischer Lieder | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 4 | Orchester Kurt Edelhagen | Lock 'your Blues | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 3 | Orchester Kurt Edelhagen | I Close My Eyes | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 2 | Orchester Kurt Edelhagen | Schwarze Augen | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 1 | Orchester Kurt Edelhagen | Motto: There's No You | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 9 | Orchester Kurt Edelhagen | Lock 'your Blues | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 2B / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 8 | Orchester Kurt Edelhagen | St Louis Blues | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 2B / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 7 | Orchester Kurt Edelhagen & Wolfgang Sauer | For You, My Love | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 2B / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 7 | Orchester Kurt Edelhagen | St Louis Blues | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 6 | Orchester Kurt Edelhagen | Jumpin' At The Woodside | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 2B / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 6 | Orchester Kurt Edelhagen & Wolfgang Sauer | For You, My Love | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 5 | Orchester Kurt Edelhagen & Wolfgang Sauer | Basin Street Blues | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 2B / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 5 | Orchester Kurt Edelhagen | Stompin' At Savoy | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 4 | Orchester Kurt Edelhagen & Wolfgang Sauer | Basin Street Blues | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 4 | Orchester Kurt Edelhagen | Cookin' At The Continental | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 1E / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 3 | Orchester Kurt Edelhagen | China Town | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 1E / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 3 | Orchester Kurt Edelhagen | China Town | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 2 | Orchester Kurt Edelhagen & Wolfgang Sauer | Mackie Messer | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 1E / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 2 | Orchester Kurt Edelhagen & Wolfgang Sauer | Mackie Messer | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 1 | Orchester Kurt Edelhagen | Potpourri aus Porgy And Bess | 1964 | LP | Amiga | hellblau Doppelstrich | 8 50 035 - 1E / D82 W NT | LP | 1981 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 1 | Orchester Kurt Edelhagen | Potpourri aus Porgy And Bess | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 15 | Fred Frohberg & der Radio-DDR-Studiochor | Hallelujah | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 14 | Günter Gollasch & Rhythmusgruppe des Rundfunk-Tanzorchesters Berlin | Wild Cat Blues | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 13 | Toby Fichelscher | On Chano's Track | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 12 | Toby Fichelscher mit seiner Blues-Combo | Blues On AMIGA | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 11 | Jazz-Band Halle | That Da-Da-Strain | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 10 | Jeanne Johnson & New Orleans Stompers | Bill Bailey | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 9 | New Orleans Stompers | Blues in B | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 16 | Dixielandgruppe der Dresdner Tanzsinfoniker | Mississippi-Blues | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 8 | Jazz-Optimisten-Berlin | Servus, Hartmut | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 7 | Manfred Krug & Jazz-Optimisten-Berlin | Rosetta | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 6 | Jazz-Optimisten-Berlin | Fluidum | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 5 | Ruth Hohmann & Jazz-Optimisten-Berlin | I'm Confessin' That I Love You | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 4 | Jazz-Optimisten-Berlin | Jamboree Blues | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 3 | Gerry Wolff & Rhythmusgruppe der Jazz-Optimisten-Berlin | I Went To Atlanta | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 2 | Jazz-Optimisten-Berlin | Careless Love | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 1 | Jazz-Optimisten-Berlin | Hindustan | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 16 | Günter Geißler | Tausend Träume werden wahr | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 15 | Günter Geißler | Ich bin verliebt in die Frauen von Paris | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 14 | Günter Geißler | Lauter schöne Worte | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 13 | Günter Geißler | Komm zurück zum Goldenen Sand | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 12 | Günter Geißler | Das ist der Troubadour | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 11 | Günter Geißler | Dreizehn braune Mädchen | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 10 | Günter Geißler | Magare | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 9 | Günter Geißler | Rote Lippen soll man küssen | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 8 | Günter Geißler | Nur von amore laßt uns heut' singen | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 7 | Günter Geißler | Ein verliebter Gondoliere | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 6 | Günter Geißler | Die Primaballerina meiner Träume | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 5 | Günter Geißler | Es gibt ein Mädel | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 4 | Günter Geißler | Was willst du denn in Rio | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 3 | Günter Geißler | Mondschein und Liebe | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 2 | Günter Geißler | Marina | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 1 | 1 | Günter Geißler | Ich hab' die gute Laune im Gepäck | LP | Amiga | rot-weiß | 0 503 201 / 8 50 030 A / J4 W-K | LP | 1965 | k.A. | |||
8 50 026 | Dieser Rhythmus reißt uns mit | 2 | 2 | Orchester Gerd Natschinski | Potpourri (II) | LP | Amiga | rot-weiß | 0 503 190 / 8 50 026 B / E4 W-K | LP | 1964 | k.A. |