Nummer | Tonträger | Seite | Track | Interpret | Titel | Jahr | Tonträgerart | Label | Labelfarbe | Matrize | Cover | Coverdruck | Begleittext | Genre | Archiv |
8 50 089 | Die große Orchesterparade 1 | 2 | 10 | Orchester Gerhard Honig | Ich hab' dich einmal geküßt | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 9 | Orchester Günter Gollasch | Hully-Gully-Ho | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 9 | Orchester Günter Gollasch | Hully-Gully-Ho | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 8 | Orchester Jürgen Hermann | Hallelujah | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 2 | 8 | Orchester Jürgen Hermann | Hallelujah | LP | Amiga | rot-weiß | 0 503 362 / 8 50 089 B / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 7 | Orchester Siegfried Mai | I'm Forever Blowing Bubbles | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 7 | Orchester Siegfried Mai | I'm Forever Blowing Bubbles | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 6 | Orchester Horst Geipel | Tango militaire | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 6 | Orchester Horst Geipel | Tango militaire | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 5 | Orchester Schwarz-Weiß | Aus der Mütze | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 5 | Orchester Schwarz-Weiß | Aus der Mütze | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 4 | Orchester Günter Gollasch | Stranger On The Shore | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 4 | Orchester Günter Gollasch | Stranger On The Shore | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 3 | Orchester Gerhard Honig | Twist-Flip | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 3 | Orchester Gerhard Honig | Twist-Flip | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 2 | Orchester Günther Kretschmer | Echoletta | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 2 | Orchester Günther Kretschmer | Echoletta | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 1 | Orchester Walter Eichenberg | Skyliner | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 089 | Die große Orchesterparade 1 | 1 | 1 | Orchester Walter Eichenberg | Skyliner | LP | Amiga | rot-weiß | 0 503 361 / 8 50 089 A / D 6 W- | LP | 1966 | n.v. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 14 | Edith Haas | Sei ein Mann | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 13 | Tanzorchester Schwarz-Weiss | Blaue Blitze | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 12 | Tanzorchester Schwarz-Weiss | Milano | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 11 | Edith Haas | Frag' nur dein Herz | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 10 | Tanzorchester Schwarz-Weiss | Potpourri-Wir tanzen Locomotion | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 9 | Tanzorchester Schwarz-Weiss | Ich kenn ein kleines Weger'l | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 8 | Tanzorchester Schwarz-Weiss | Plaste | LP | Amiga | rot-weiß | 0 503 360 / 8 50 088 B / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 7 | Tanzorchester Schwarz-Weiss | Penniä | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 6 | Edith Haas | Nachts bin ich allein | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 5 | Tanzorchester Schwarz-Weiss | Kleines Haus am Wald | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 4 | Tanzorchester Schwarz-Weiss | Renis Melodie | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 3 | Edith Haas | Das war der erste Kuß | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 2 | Tanzorchester Schwarz-Weiss | Maracatu | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 088 | Überreicht vom Tanzorchester Schwarz-Weiss | 1 | 1 | Tanzorchester Schwarz-Weiss | Blues-Marsch | LP | Amiga | rot-weiß | 0 503 359 / 8 50 088 A / D6 W - K S | LP | 1966 | k.A. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 14 | Diverse | Gute Nacht, lieber Mann am Klavier | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 13 | Diverse | In der Bar Zum langen Jan | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 12 | Diverse | Ein altes Karussell | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 11 | Diverse | Stadtpfeifer Parade | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 10 | Diverse | Ricki ticki tim | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 9 | Diverse | Ich lieb' dich | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 2 | 8 | Diverse | Gieß kein Bier ins Klavier | LP | Amiga | rot-weiß | 0 503 358 / 8 50 087 B / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 7 | Diverse | Wiederseh'n | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 6 | Diverse | Charleston Charlott | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 5 | Diverse | Was willst du denn in Rio | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 4 | Diverse | Pech für mich | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 3 | Diverse | In einer kleinen Schenke dicht am Hafen | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 2 | Diverse | Das Lied vom alten Plattenschrank | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 087 | Die schräge Drahtkommode | 1 | 1 | Diverse | Die Liebe ist ein Buch mit sieben Siegeln | LP | Amiga | rot-weiß | 0 503 357 / 8 50 087 A / C6 W - S | LP | 1969 | n.v. | |||
8 50 086 | Amateur Favoriten | 2 | 15 | Tanzorchester Leipzig | Nessy | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 14 | Jürgen Heider-Swingtett | Das Märchen der Liebe | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 13 | Eva Kirchner | Mallorie | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 12 | Evergreen Sextett | Ack wärmeland du skonar | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 11 | Tanzorchester Leipzig | Mustermesse 65 | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 10 | Jürgen Heider-Swingtett | Pelikan | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 2 | 9 | Tanzorchester Tornados | Spanische Fliege | LP | Amiga | rot-weiß | 0 503 356 / 8 50 086 B / E6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 8 | Evergreen Sextett | Rondonia | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 7 | Tanzorchester Tornados | Nebel | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 6 | Jürgen Heider-Swingtett | Yvette | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 5 | Tanzorchester Leipzig | Küßchen gefällig | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 4 | Marita Roll | Dat du min Leevsten büst | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 3 | Tanzorchester Tornados | Ottokar | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 2 | Jürgen Heider-Swingtett | Nova | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 086 | Amateur Favoriten | 1 | 1 | Tanzorchester Leipzig | Four Brothers | LP | Amiga | rot-weiß | 0 503 355 / 8 50 086 A / C6 S 0 S K | LP | 1966 | k.A. | |||
8 50 085 | In der Bar nebenan | 2 | 14 | Trocadero-Sextett | Sarkasmus | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 13 | Trocadero-Sextett | Ein Wiedersehn mit dir | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 12 | Trocadero-Sextett | Im Großstadtrummel | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 11 | Trocadero-Sextett | Du bist mein Traum | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 10 | Trocadero-Sextett | Leicht verdreht | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 9 | Trocadero-Sextett | Prisoner Of Love | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 2 | 8 | Trocadero-Sextett | An einem Tag im Frühling / Abends in der Taverne / Komm doch in meine Arme | 1966 | LP | Amiga | rot-weiß | 0 503 354 / 8 50 085 B / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 7 | Trocadero-Sextett | Globetrotter-Melodie | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 6 | Trocadero-Sextett | Trocadero | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 5 | Trocadero-Sextett | Über das weite, weite Meer | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 4 | Trocadero-Sextett | Samstagnacht und Sonntagmorgen | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 3 | Trocadero-Sextett | Du warst immer so lieb zu mir | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 2 | Trocadero-Sextett | Party-Twist | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 085 | In der Bar nebenan | 1 | 1 | Trocadero-Sextett | Avalon | 1966 | LP | Amiga | rot-weiß | 0 503 353 / 8 50 085 A / B6 W | LP | 1966 | n.v. | ||
8 50 083 | Prominente des Jazz | 2 | 14 | Bud Powell-Trio | Ruby My Dear | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 13 | Jay Jay Johnson-Sextett | Fatback | 1960 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 12 | Bill Doggett-Combo | So Sassy | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 11 | Dave Lambert & Jon Hendricks & Annie Ross | This Here | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 2 | 10 | Thelonius Monk-Quartett | Coming On The Hudson | 1962 | LP | Amiga | rot-weiß | 0 503 350 / 8 50 083 B / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 9 | Orchester Eddie Condon | Tiger Rag | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 8 | Orchester Duke Ellington | Turkish Coffee | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 7 | Jimmy Giuffre-Trio | Motion Suspended | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 6 | Quincy Jones | Grasshopper | 1955 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 5 | Orchester Lionel Hampton | J J Cellar | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 4 | Miles Davis-Sextett | Devil May Care | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 3 | Carmen McRae | So Long | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 2 | Chico Hamilton-Quintett | One For Joan | 1962 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 083 | Prominente des Jazz | 1 | 1 | Dave Brubeck-Quartett | Waltz Limp | 1961 | LP | Amiga | rot-weiß | 0 503 349 / 8 50 083 A / B7 S 0 K | LP | 1969 | k.A. | ||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 9 | Orchester Günter Gollasch | Wir tanzen Samba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 8 | Günter Friess Sextett | Wir tanzen langsamen Foxtrott | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 7 | Fritz Heimbach-Barsextett | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 6 | Günter Friess Sextett | Wir tanzen Rumba | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 2 | 5 | Ballhausorchester Kurt Beyer | Wir tanzen Tango | LP | Amiga | rot-weiß | 0 503 348 / 8 50 082 B / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 4 | Günter Oppenheimer Swingtett | Wir tanzen Boogie | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 3 | Orchester Jürgen Hermann | Wir tanzen Wiener Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 2 | Günter Friess Sextett | Wir tanzen Foxtrott | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 082 | Wir bitten zum Tanz 2 | 1 | 1 | Orchester Jürgen Hermann | Wir tanzen langsamen Walzer | LP | Amiga | rot-weiß | 0 503 347 / 8 50 082 A / K6 S 0 K | LP | 1966 | k.A. | |||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 11 | Ella Fitzgerald & Louis Armstrong | Cheek To Cheek | 1956 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 10 | Ella Fitzgerald | Memories Of You | 1964 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 9 | Ella Fitzgerald & Louis Armstrong | I've Got My Love To Keep Me Warm | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 8 | Louis Armstrong | Makin' Whoopee | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 2 | 7 | Ella Fitzgerald & Louis Armstrong | Don't Be That Way | 1957 | LP | Amiga | rot-weiß | 0 503 342 / 8 50 079 B / G6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 6 | Ella Fitzgerald | How High The Moon | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 6 | Ella Fitzgerald | How High The Moon | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 5 | Ella Fitzgerald & Louis Armstrong | They Can't Take That Away From Me | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 5 | Ella Fitzgerald & Louis Armstrong | They Can't Take That Away From Me | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Moonlight In Vermont | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Moonlight In Vermont | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 3 | Ella Fitzgerald | Can't Buy Me Love | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 3 | Ella Fitzgerald | Can't Buy Me Love | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 2 | Ella Fitzgerald & Louis Armstrong | Stars Fell On Alabama | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 2 | Ella Fitzgerald & Louis Armstrong | Stars Fell On Alabama | 1956 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 079 | Ella & Louis | 1 | 1 | Ella Fitzgerald | Hello Dolly | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1969 | n.v. | ||
8 50 079 | Ella & Louis | 1 | 1 | Ella Fitzgerald | Hello Dolly | 1964 | LP | Amiga | rot-weiß | 0 503 341 / 8 50 079 A / H6 S 0 | LP | 1966 | k.A. | ||
8 50 077 | Nat King Cole | 1 | 7 | Nat King Cole | Avalon | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 6 | Nat King Cole | Star Dust | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 5 | Nat King Cole | Walking' My Baby Back Home | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 4 | Nat King Cole | Answer Me, My Love | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 3 | Nat King Cole | Mona Lisa | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 2 | Nat King Cole | Ramblin' Rose | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 077 | Nat King Cole | 1 | 1 | Nat King Cole | Ballerina | LP | Amiga | weinrot Doppelstrich | 0 503 337 / 8 50 077 A / F6 S 0 | LP | 1973 | n.v. | |||
8 50 076 | Count Basie & Lester Young | 2 | 7 | Count Basie & Lester Young | One O'Clock Jump | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 6 | Jimmy Rushing& Lester Young | Evenin' | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 5 | Jimmy Rushing& Lester Young | Boogie Woogie | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 2 | 4 | Jimmy Rushing& Lester Young | Sent For You Yesterday | 1957 | LP | Amiga | rot-weiß | 0 503 336 / 8 50 076 B / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 3 | Lester Young | Lester Leaps In | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 2 | Lester Young | Polka Dots And Moonbeats | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 076 | Count Basie & Lester Young | 1 | 1 | Count Basie | Swingin' At Newport | 1957 | LP | Amiga | rot-weiß | 0 503 335 / 8 50 076 A / H 6 W-X | LP | 1966 | k.A. | ||
8 50 075 | Doris Day | 2 | 12 | Doris Day | Love Me Or Leave Me | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 11 | Doris Day | Pillow Talk | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 10 | Doris Day | When I Fall In Love | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 9 | Doris Day | Please Don't Eat The Daisies | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 8 | Doris Day | If I Give My Heart To You | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 2 | 7 | Doris Day | Que sera, sera | LP | Phonoclub | rot | 0 503 334 / 8 50 075 B / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 6 | Doris Day | Bewitched | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 5 | Doris Day | Teacher's Pet | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 4 | Doris Day | Secret Love | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 3 | Doris Day | A Guy Is A Guy | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 2 | Doris Day | It's Magic | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 075 | Doris Day | 1 | 1 | Doris Day | Everybody Loves A Lover | LP | Phonoclub | rot | 0 503 333 / 8 50 075 A / B7 S0 | LP | 1967 | k.A. | |||
8 50 074 | Amiga Express 1966 | 2 | 16 | Frank Schöbel | Schau lieber weg | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 16 | Frank Schöbel | Schau lieber weg | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 15 | Helga Brauer | Schlaf, mein kleiner Jonny | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 15 | Helga Brauer | Schlaf, mein kleiner Jonny | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 14 | Regina Thoss | Nimm den Kuß als Souvenir | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 14 | Regina Thoss | Nimm den Kuß als Souvenir | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 13 | Andreas Holm | Bin schon vergeben | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 13 | Andreas Holm | Bin schon vergeben | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 12 | Rica Deus | Kleine Stadt | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 12 | Rica Deus | Kleine Stadt | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 11 | Klaus Gross | Wenn du Abschied nimmst | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 11 | Klaus Gross | Wenn du Abschied nimmst | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 10 | Karin Prohaska | Jung gefreit hat nie gereut | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 10 | Karin Prohaska | Jung gefreit hat nie gereut | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 9 | Eddi Busch | Ganz in weiß | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 2 | 9 | Eddi Busch | Ganz in weiß | 1966 | LP | Amiga | rot-weiß | 0 503 332 / 8 50 074 B / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 8 | Bert Hendrix | Die schönsten Tage | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 8 | Bert Hendrix | Die schönsten Tage | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 7 | Helga Brauer | Mit den strahlendsten Lächeln der Welt | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 7 | Helga Brauer | Mit den strahlendsten Lächeln der Welt | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 6 | Rosemarie Ambe | Er hat ein Motorboot | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 6 | Rosemarie Ambe | Er hat ein Motorboot | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 5 | Eddi Busch | Du bist nicht allein | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 5 | Eddi Busch | Du bist nicht allein | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 4 | Britt Kersten | Immer wenn du lachst | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 4 | Britt Kersten | Immer wenn du lachst | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 3 | Roland Neudert | Ich möchte' wieder zu Hause sein | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 3 | Roland Neudert | Ich möchte' wieder zu Hause sein | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 2 | Karin Prohaska | Schleich nicht wie die Katze um den heißen Brei | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 2 | Karin Prohaska | Schleich nicht wie die Katze um den heißen Brei | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 1 | Günter Geißler | Das schönste Mädchen der Welt | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 074 | Amiga Express 1966 | 1 | 1 | Günter Geißler | Das schönste Mädchen der Welt | 1966 | LP | Amiga | rot-weiß | 0 503 331 / 8 50 074 A / K6 S0S | LP | 1966 | n.v. | ||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 10 | Louis Armstrong | Oh Lawd, I'm On My Way | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 9 | Louis Armstrong | Bess, Oh Where's My Bess | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 8 | Louis Armstrong | There's A Boat Dat's Leavin' Soon For New York | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 7 | Louis Armstrong | A Woman Is A Sometime Thing | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 2 | 6 | Ella Fitzgerald & Louis Armstrong | It Ain't Necessarily So | LP | Amiga | rot-weiß | 0 503 320 / 8 50 072 B / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 5 | Ella Fitzgerald | What You Want Wid Bess | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 4 | Ella Fitzgerald & Louis Armstrong | Bess, You Is My Woman Now | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 3 | Ella Fitzgerald & Louis Armstrong | I Got Plenty O' Nuttin' | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 2 | Ella Fitzgerald | I Wants To Stay Here | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 072 | Ella & Louis singen aus Porgy & Bess | 1 | 1 | Ella Fitzgerald & Louis Armstrong | Summertime | LP | Amiga | rot-weiß | 0 503 319 / 8 50 072 A / K6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 14 | Chor & Orchester Günter Oppenheimer | Suite In Scat | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 13 | Chor & Orchester Günter Oppenheimer | Flip | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 12 | Chor & Orchester Günter Oppenheimer | Yesterday | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 11 | Chor & Orchester Günter Oppenheimer | Spitze Worte | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 10 | Chor & Orchester Günter Oppenheimer | Robins Bossa Nova | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 9 | Chor & Orchester Günter Oppenheimer | Django | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 2 | 8 | Chor & Orchester Günter Oppenheimer | Serenade In Blue | LP | Amiga | rot-weiß | 0 503 318 / 8 50 071 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 7 | Chor & Orchester Günter Oppenheimer | Matrosentanz | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 6 | Chor & Orchester Günter Oppenheimer | Abends kommen die Sterne | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 5 | Chor & Orchester Günter Oppenheimer | Vocalise | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 4 | Chor & Orchester Günter Oppenheimer | Don't Blame Me | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 3 | Chor & Orchester Günter Oppenheimer | Solo in Moll | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 2 | Chor & Orchester Günter Oppenheimer | Fugato | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 071 | Chor in Swing | 1 | 1 | Chor & Orchester Günter Oppenheimer | Chorserenade | LP | Amiga | rot-weiß | 0 503 317 / 8 50 071 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 14 | Orchester Günter Gollasch | Feuerstuhl-Boogie | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 13 | Orchester Günter Gollasch | Tschechische Polka | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 12 | Blasorchester Otto Kaiser | Gemütlichkeit | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 11 | Orchester Erwin Thiele | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 10 | Orchester Günter Gollasch | Phonographen-Cha Cha Cha | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 9 | Orchester Jürgen Hermann | Komplimente | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 2 | 8 | Orchester Günther Kretschmer | Siesta | LP | Amiga | rot-weiß | 0 503 312 / 8 50 068 B / F6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 7 | Orchester Günter Oppenheimer | Marsch der Matrosen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 6 | Orchester Horst Geipel | Ein verregneter Sonntag | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 5 | Orchester Günter Gollasch | Was eine Frau im Frühling träumt / Mit dir möcht ich am Sonntag angeln gehn' / Warte noch ein Weilchen | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 4 | Orchester Günter Gollasch | Serenade der Nacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 3 | Orchester Jürgen Hermann | Kußwalzer | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 2 | Orchester Jürgen Hermann | Amorcito | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 068 | Wir bitten zum Tanz 1 | 1 | 1 | Orchester Fips Fleischer | Warum hast du mich gleich so verliebt gemacht | LP | Amiga | rot-weiß | 0 503 311 / 8 50 068 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 15 | Manfred Ludwig-Sextett | Erinnerungen an Richard | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 14 | Manfred Ludwig-Sextett | Take Five | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 13 | Günter Hörig Trio | Give Me The Simple Life | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 12 | Quintett 61 | Valse Fantastique | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 11 | Quintett 61 | Worksong | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 10 | Günter Hörig Trio | Opus de Funk | 1961 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 9 | Manfred Ludwig-Sextett | Skandinavia | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 2 | 8 | Manfred Ludwig-Sextett | Desafinado | 1963 | LP | Amiga | rot-weiß | 0 503 310 / 8 50 067 B / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 7 | Werner Pfüller-Quintett | Sack O'Woe | 1963 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 6 | Werner Pfüller-Quintett | Good Bait | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 5 | Werner Pfüller-Quintett | Rose | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 4 | Werner Pfüller-Quintett | Blaue Straßen | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 3 | Werner Pfüller-Quintett | Horace's Theme | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 2 | Werner Pfüller-Quintett | Moanin | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 1 | Werner Pfüller-Quintett | Mad About A Boy | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 066 | 2 | 11 | Mahalia Jackson | Down By The Riverside | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 10 | Mahalia Jackson | Nobody Knows The Trouble I've Seen | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 9 | Mahalia Jackson | The Lord's Prayer | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 8 | Mahalia Jackson | Just A Little While To Stay Here | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 7 | Mahalia Jackson | Summertime | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 6 | Mahalia Jackson | It Don't Cost Very Much | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 5 | Mahalia Jackson | God Is So Good | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 4 | Mahalia Jackson | The Upper Room | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 3 | Mahalia Jackson | Move On Up A Little Higher | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 2 | Mahalia Jackson | It Is No Secret | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 1 | Mahalia Jackson | The Christian's Testimony | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 8 | Ray Charles | I've Got News For You | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 7 | Ray Charles | California, Here I Come | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 6 | Ray Charles | Marie | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 5 | Ray Charles | Josephin | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 4 | Ray Charles | New York' s My Home | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 3 | Ray Charles | Alabamy Bound | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 2 | Ray Charles | Basin Street Blues | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 1 | Ray Charles | At The Club | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 16 | New Orleans Feetwarmers | Kate | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 15 | New Orleans Feetwarmers | I Wish I Could Shimmy Like My Sister | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 14 | New Orleans Feetwarmers | Weary Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 13 | New Orleans Feetwarmers | Carolina Shout | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 12 | New Orleans Feetwarmers | Mule Walk | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 11 | Count Basie Combo | Don't Be That Way | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 10 | Count Basie | I Ain't Got Nobody | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 9 | Kansas City Six | Way Down Yonder In New Orleans | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 8 | Kansas City Six | Good Morning Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 7 | Count Basie Band | Rhythm Man | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 6 | Oran 'Hot Lips' Page & Count Basie Band | Blues WithLips | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 5 | Count Basie Band | One O'Clock Jump | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 4 | Helen Humes & Count Basie Combo | Blues With Helen | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 3 | Benny Goodman Sextett | Memories Of You | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 2 | Benny Goodman Sextett | Flying Home | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 1 | Benny Goodman Sextett | I Got Rhythm | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 14 | Perdidos & Enzo-Trio | Fascinating Rhythm | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 13 | Rica Deus | Someone To Watch Over Me | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 12 | Rec Demont | Oh, Lady Be Good | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 11 | Christel Schulze | Summertime | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 10 | Orchester Gerhard Kneifel | Strike Up The Band | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 9 | Perdidos & Enzo-Trio | Love Is Her To Stay | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 8 | Rec Demont | s Wonderful | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 7 | Perdidos & Enzo-Trio | Embraceable You | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 6 | Rec Demont | A Foggy Day | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 5 | Orchester Gerhard Kneifel | "Blues aus ""Ein Amerikaner in Paris""" | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 4 | Christel Schulze | Somebody Loves Me | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 3 | Perdidos & Enzo-Trio | Liza | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 2 | Rica Deus | The Man I Love | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 1 | Orchester Gerhard Kneifel | I Got Rhythm | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 056 | Flöte - Alt-Sax | 2 | 7 | Leo Wright-Combo | Grooving High | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 6 | Leo Wright-Combo | Blues March | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 5 | Leo Wright-Combo | Every Day I Have The Blues | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 4 | Leo Wright-Combo | Kidney Stew | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 3 | Leo Wright-Combo | Down Home Kansas City Blues | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 2 | Leo Wright-Combo | It Might As Well Be Spring | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 1 | Leo Wright-Combo | Encore | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 054 | Modern Jazz Big Band 65 | 2 | 6 | Modern Jazz Big Band | Night In Tunesia | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 5 | Modern Jazz Big Band | Peace | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 4 | Modern Jazz Big Band | Watermelonman | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 3 | Modern Jazz Big Band | Serenade Mysterioso | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 2 | Modern Jazz Big Band | Kleines Lied für Eric | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 1 | Modern Jazz Big Band | Ein Nachmittag in Berlin | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | 1965 | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | ||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 14 | Toni Stepanek | Svore K Cili | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 13 | Toni Stepanek | Korycanska | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 12 | Toni Stepanek | Hostivická | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 11 | Toni Stepanek | Tichou Dedinou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 10 | Toni Stepanek | Pod Jednou Strechou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 9 | Toni Stepanek | Karlovarská | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 8 | Toni Stepanek | Staroceská Musika | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 7 | Toni Stepanek | Já Ráda Tancuju | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 6 | Toni Stepanek | Valašska | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 5 | Toni Stepanek | Danuška | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 4 | Toni Stepanek | Pro Tanicku | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 3 | Toni Stepanek | Kladenska | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 2 | Toni Stepanek | Zabicka | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 1 | Toni Stepanek | Pozdrav Z Hvozdu | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 14 | Orchester Walter Eichenberg & Stimmungskanonen | Solang' die Spree noch naß ist | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 13 | Orchester Günter Oppenheimer & Enzo-Trio | Bier, Bier, Bier ist die Seele vom Klavier | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 12 | Martin Möhle Combo | Eine Seefahrt, die ist lustig / Das ist die Liebe der Matrosen / Weiße Wolken, blaues Meer und du | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 11 | Stimmungskapelle Kurt Beyer & Horlan-Trio | Das schwarze Meer ist blau | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 10 | Ballhausorchester Kurt Beyer | Schützenliesl / Pfeif-Rheinländer / Der Pfannenflicker / Des Klarinettisten Fluch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 9 | Orchester Günter Gollasch & Vier Collins & Columbia-Quartett | Geh nicht wie die Katze um den heißen Brei | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 8 | Martin Möhle und seine Solisten | Schweinemarsch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 7 | Ballhausorchester Kurt Beyer | Folies bergere - Das ist der Zauber von Berlin - Berliner Luft | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 6 | Orchester Walter Eichenberg & Columbia-Quartett | Sei immer lieb zu deiner Schwiegermutter | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 5 | Ballhausorchester Kurt Beyer | Hein spielt abends so schön auf dem Schifferklavier / Schön ist die Liebe im Hafen / Auf der Reeperbahn | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 4 | Lieselotte Malkowsky & Orchester Bert Kaempfert | Was macht ein Seemann, wenn er Sehnsucht hat | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 3 | Martin Möhle Combo | Erst siebzehn Jahr / Küß mich, Angelina / Meine Frau macht Musik | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 2 | Orchester Walter Eichenberg & Stimmungskanonen | Nur Die Klapperstörche Stehn Auf Einem Bein | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 1 | Ballhausorchester Kurt Beyer | Heut woll'n wir lustig sein / Wer soll das bezahlen / Nach Hause gehn wir nicht | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 7 | Ballhausorchester Kurt Beyer | Folies bergere - Das ist der Zauber von Berlin - Berliner Luft | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 6 | Orchester Walter Eichenberg & Columbia-Quartett | Sei immer lieb zu deiner Schwiegermutter | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 5 | Ballhausorchester Kurt Beyer | Hein spielt abends so schön auf dem Schifferklavier / Schön ist die Liebe im Hafen / Auf der Reeperbahn | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 4 | Lieselotte Malkowsky & Orchester Bert Kaempfert | Was macht ein Seemann, wenn er Sehnsucht hat | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 3 | Martin Möhle Combo | Erst siebzehn Jahr / Küß mich, Angelina / Meine Frau macht Musik | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 2 | Orchester Walter Eichenberg & Stimmungskanonen | Nur Die Klapperstörche Stehn Auf Einem Bein | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 1 | Ballhausorchester Kurt Beyer | Heut woll'n wir lustig sein / Wer soll das bezahlen / Nach Hause gehn wir nicht | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 049 | Big Beat II | 2 | 16 | Butlers | Butlers Boogie | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 15 | Franke-Echo-Quintett | Seeschloß | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 14 | Theo Schumann-Combo | Wikinger Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 13 | Sputniks | Für so viel Liebe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 12 | Butlers | Herbstlaub | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 11 | Franke-Echo-Quintett | Peters Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 10 | Theo Schumann-Combo | Tromsoe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 9 | Olympic-Big Beat | Yakety Sax | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 8 | Butlers | Troika | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 7 | Sputniks | Beim Hully-Gully bin ich König | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 6 | Franke-Echo-Quintett | Eskimo | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 5 | Butlers | Quartermasters Stores | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 4 | Olympic-Big Beat | Exodus | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 3 | Theo Schumann-Combo | Scharfe Sache | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 2 | Theo Schumann-Combo | Nevada | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 1 | Franke-Echo-Quintett | Hava Nagila | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 048 | Jazz und Lyrik | 2 | 15 | Werner Sellhorn & Ensemble Jazz und Lyrik | Abschieds-Blues | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 14 | Manfred Krug & Jazz-Optimisten Berlin | When The Saints Go Marchin' In | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 13 | Manfred Krug & Jazz-Optimisten Berlin | Hallelujah, I Just Love Her So | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 12 | Manfred Krug | Die sieben Sachen | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 11 | Manfred Krug & Jazz-Optimisten Berlin | There's A Boat That's Leavin' Soon For New York | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 10 | Jazz-Optimisten Berlin | My Bonnie Is Over The Ocean | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 9 | Eberhard Esche | Anekdote | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 8 | Jazz-Optimisten Berlin | Tiger Rag | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 7 | Manfred Krug & Rhythmusgruppe der Jazz-Optimisten Berlin | Die Ballade vom Briefträger William L.Moore aus Baltimore | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 6 | Manfred Krug | Zwei Seelen | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 5 | Manfred Krug | Zerstörtes Liebesglück | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 4 | Jazz-Optimisten Berlin | Die Oliven gedeihn | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 3 | Eberhard Esche | Ode an die Seeaalsuppe | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 2 | Jazz-Optimisten Berlin | South Rampart Street Parade | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 1 | Jazz-Optimisten Berlin | When It's Sleepy Time Down South | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 16 | Manfred Ludwig-Sextett | Eine Lappalie | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 15 | Dorothy Ellison & Manfred Ludwig-Sextett | Blueberry Hill | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 14 | Manfred Ludwig-Sextett | E W als Gruß | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 13 | Dorothy Ellison & Manfred Ludwig-Sextett | Blues In The Night | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 12 | Manfred Ludwig-Sextett | Zwielicht | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 11 | Dorothy Ellison & Manfred Ludwig-Sextett | They Say, It's Wonderful | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 10 | Manfred Ludwig-Sextett | Gral | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 9 | Dorothy Ellison & Manfred Ludwig-Sextett | Hit The Road, Jack | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 8 | Manfred Ludwig-Sextett | Ruben | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 7 | Dorothy Ellison & Manfred Ludwig-Sextett | Mister Sandmann | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 6 | Manfred Ludwig-Sextett | Condor | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 5 | Dorothy Ellison & Manfred Ludwig-Sextett | Georgia | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. |