Nummer | Tonträger | Seite | Track | Interpret | Titel | Jahr | Tonträgerart | Label | Labelfarbe | Matrize | Cover | Coverdruck | Begleittext | Genre | Archiv |
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 15 | Günter Geißler | Ich bin verliebt in die Frauen von Paris | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 030 | Ich hab' die gute Laune im Gepäck | 2 | 16 | Günter Geißler | Tausend Träume werden wahr | LP | Amiga | rot-weiß | 0 503 202 / 8 50 030 B / J4 W-K | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 1 | Jazz-Optimisten-Berlin | Hindustan | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 2 | Jazz-Optimisten-Berlin | Careless Love | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 3 | Gerry Wolff & Rhythmusgruppe der Jazz-Optimisten-Berlin | I Went To Atlanta | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 4 | Jazz-Optimisten-Berlin | Jamboree Blues | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 5 | Ruth Hohmann & Jazz-Optimisten-Berlin | I'm Confessin' That I Love You | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 6 | Jazz-Optimisten-Berlin | Fluidum | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 7 | Manfred Krug & Jazz-Optimisten-Berlin | Rosetta | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 8 | Jazz-Optimisten-Berlin | Servus, Hartmut | LP | Amiga | rot-weiß | 0 503 203 / 8 50 031 A / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 1 | 16 | Dixielandgruppe der Dresdner Tanzsinfoniker | Mississippi-Blues | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 9 | New Orleans Stompers | Blues in B | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 10 | Jeanne Johnson & New Orleans Stompers | Bill Bailey | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 11 | Jazz-Band Halle | That Da-Da-Strain | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 12 | Toby Fichelscher mit seiner Blues-Combo | Blues On AMIGA | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 13 | Toby Fichelscher | On Chano's Track | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 14 | Günter Gollasch & Rhythmusgruppe des Rundfunk-Tanzorchesters Berlin | Wild Cat Blues | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 031 | Traditional Jazz Studio Nr 1 | 2 | 15 | Fred Frohberg & der Radio-DDR-Studiochor | Hallelujah | LP | Amiga | rot-weiß | 0 503 204 / 8 50 031 B / J4 W- | LP | 1965 | k.A. | |||
8 50 032 | Musik zum Träumen | 1 | 1 | Orchester Günter Oppenheimer | Deep Purple (Purpurrot) | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 2 | Orchester Günter Oppenheimer | Martina | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 3 | Orchester Günter Oppenheimer | Schenkst du mir deine Liebe | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 4 | Orchester Günter Oppenheimer | So wie leise Musik | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 5 | Orchester Günter Oppenheimer | There I've Said It Again | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 6 | Orchester Günter Oppenheimer | Wenn der Wind weht | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 7 | Orchester Günter Oppenheimer | Kleines Traumhotel | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 1 | 8 | Orchester Günter Oppenheimer | Dreaming The Blues | LP | Amiga | rot-weiß | 0 503 205 / 8 50 032 A / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 9 | Orchester Günter Oppenheimer | Star Dust | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 10 | Orchester Günter Oppenheimer | Poeme | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 11 | Orchester Günter Oppenheimer | Noch schöner als glutrote Rosen | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 12 | Orchester Günter Oppenheimer | Wenn ich mich mal verliebe | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 13 | Orchester Günter Oppenheimer | Liebling, dieser Tag war wunderschön | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 14 | Orchester Günter Oppenheimer | Es fing so romantisch an | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 15 | Orchester Günter Oppenheimer | Der Schleier fiel | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 032 | Musik zum Träumen | 2 | 16 | Orchester Günter Oppenheimer | Sag mir leise Du | LP | Amiga | rot-weiß | 0 503 206 / 8 50 032 B / J4 W - S | LP | 1965 | n.v. | |||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 1 | Caterina Valente | Ganz Paris träumt von der Liebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 2 | Caterina Valente | Tipitipitipso | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 3 | Caterina Valente & Silvio Francesco | Steig in das Traumboot derLiebe | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 4 | Caterina Valente | Das hab' ich gleich gewußt | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 5 | Caterina Valente | Andalucia | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 6 | Caterina Valente | Casanova | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 7 | Caterina Valente | Granada | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 1 | 8 | Caterina Valente | Bonjour Kathrin | LP | Amiga | rot-weiß | 0 503 209 - 1 / 8 50 034 A / D5 K 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 9 | Caterina Valente | Malaguena | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 10 | Caterina Valente | Das ist die Hafenmelodie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 11 | Caterina Valente | Melodia d'amore | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 12 | Caterina Valente | Fiesta Cubana | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 13 | Caterina Valente | Wenn es Nacht wird in Paris | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 14 | Caterina Valente | Jalousie | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 15 | Caterina Valente | Spiel noch einmal für mich, Habanero | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1965 | k.A. | Schlager | ||
8 50 034 | Bonjour Kathrin | 2 | 16 | Caterina Valente | All My Love | LP | Amiga | rot-weiß | 0 503 210 - 3 / 8 50 034 B / D5 S 0 | LP | 1967 | k.A. | Schlager | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 1 | Orchester Kurt Edelhagen | Potpourri aus Porgy And Bess | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 2 | Orchester Kurt Edelhagen & Wolfgang Sauer | Mackie Messer | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 1 | 3 | Orchester Kurt Edelhagen | China Town | 1964 | LP | Amiga | rot-weiß | 0 503 211 - 1 / 8 50 035 A / A5 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 4 | Orchester Kurt Edelhagen & Wolfgang Sauer | Basin Street Blues | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 5 | Orchester Kurt Edelhagen | Stompin' At Savoy | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 6 | Orchester Kurt Edelhagen & Wolfgang Sauer | For You, My Love | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 035 | Kurt Edelhagen - Wolfgang Sauer | 2 | 7 | Orchester Kurt Edelhagen | St Louis Blues | 1964 | LP | Amiga | rot-weiß | 0 503 212 / 8 50 035 B / L4 W-S | LP | 1965 | k.A. | ||
8 50 036 | Kurt Edelhagen | 1 | 1 | Orchester Kurt Edelhagen | Motto: There's No You | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 2 | Orchester Kurt Edelhagen | Schwarze Augen | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 3 | Orchester Kurt Edelhagen | I Close My Eyes | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 1 | 4 | Orchester Kurt Edelhagen | Lock 'your Blues | LP | Amiga | rot-weiß | 0 503 213 / 8 50 036 A / L4 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 2 | 5 | Orchester Kurt Edelhagen | Potpourri sowjetischer Lieder | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 2 | 6 | Orchester Kurt Edelhagen | Till | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 036 | Kurt Edelhagen | 2 | 7 | Orchester Kurt Edelhagen | Carioca | LP | Amiga | rot-weiß | 0 503 214 / 8 50 036 B / A5 W-S | LP | 1965 | k.A. | |||
8 50 037 | 1 | 1 | Sven Jennsen | Potpourri aus My Fair Lady | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 1 | Sven Jennsen | Potpourri aus My Fair Lady | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 2 | Ines Taddio | 24000 Küsse | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 2 | Ines Taddio | 24000 Küsse | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 3 | Orchester Kurt Edelhagen | Cookin' At The Continental | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 3 | Orchester Kurt Edelhagen | Cookin' At The Continental | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 4 | Mariona | Ich habe Sehnsucht | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 4 | Mariona | Ich habe Sehnsucht | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 5 | Sven Jennsen | Eine Lederhose braucht keine Bügelfalten | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 1 | 5 | Sven Jennsen | Eine Lederhose braucht keine Bügelfalten | LP | Amiga | rot-weiß | 0 503 215 / 8 50 037 A / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 6 | Will Brandes | Hello, Dolly | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 6 | Will Brandes | Hello, Dolly | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 7 | Ines Taddio | Quando Quando | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 7 | Ines Taddio | Quando Quando | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 8 | Orchester Kurt Edelhagen | Let's Have A Taste | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 8 | Orchester Kurt Edelhagen | Let's Have A Taste | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 9 | Will Brandes | Giovane, Giovane | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 9 | Will Brandes | Giovane, Giovane | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 10 | Mariona | O lala, Paris | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 10 | Mariona | O lala, Paris | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 037 | 2 | 11 | Sven Jennsen | Goody-Goody | LP | Amiga | rot-weiß | 0 503 216 / 8 50 037 B / L4 W-S | LP | 1965 | k.A. | ||||
8 50 038 | One Tension | 1 | 1 | Albert Mangelsdorff Quintett | Club Trois | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 1 | 2 | Albert Mangelsdorff Quintett | Blues Du Domicile | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 1 | 3 | Albert Mangelsdorff Quintett | Set 'em Up | 1963 | LP | Amiga | rot-weiß | 0 503 217 / 8 50 038 A / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 4 | Albert Mangelsdorff Quintett | Varie | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 5 | Albert Mangelsdorff Quintett | Tension | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 038 | One Tension | 2 | 6 | Albert Mangelsdorff Quintett | Ballade für Jessica Rose | 1963 | LP | Amiga | rot-weiß | 0 503 218 / 8 50 038 B / F5 W- | LP | 1965 | k.A. | ||
8 50 039 | Big Beat | 1 | 1 | Franke Echo-Quintett | In The Mood | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 1 | 2 | Sputniks | Etage 8 | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 1 | 3 | Sputniks | Sputnik Thema | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 1 | 4 | Franke Echo-Quartett | Melodie für Barbara | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 1 | 5 | Miroslav Kefurth Rhythmus Gruppe | Twist auf Saiten | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 1 | 6 | Franke Echo-Quintett | Round About Midnight | LP | Amiga | rot-weiß | 0 503 219 / 8 50 039 A / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 7 | Franke Echo-Quintett | Ungarisches Hirtenlied | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 8 | Franke Echo-Quartett | Show Beat | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 9 | Sputniks | Storm | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 10 | Sputniks | Gitarren Twist | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 11 | Franke Echo-Quintett | Peter Gun | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 12 | Hein Kunert-Quartett | La Conga | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 13 | Franke Echo-Quartett | Brasiliana | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 039 | Big Beat | 2 | 14 | Sputniks | Spanischer Zigeunertanz | LP | Amiga | rot-weiß | 0 503 220 / 8 50 039 B / K4 W-S | LP | 1965 | n.v. | |||
8 50 040 | 1 | 1 | Beatles | She Loves You | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 1 | 2 | Beatles | Misery | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 1 | 3 | Beatles | A Taste Of Honey | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 1 | 4 | Beatles | You Really Gotta Hold On Me | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 1 | 5 | Beatles | A Hard Day's Night | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 1 | 6 | Beatles | PS I Love You | LP | Amiga | rot-weiß | 0 503 221 / 8 50 040 A / M4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 7 | Beatles | I Want To Hold Your Hand | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 8 | Beatles | Please, Please Me | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 9 | Beatles | Ask Me Why | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 10 | Beatles | Do You Want To Know A Secret | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 11 | Beatles | Little Child | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 040 | 2 | 12 | Beatles | Please Mister Postman | LP | Amiga | rot-weiß | 0 503 222 / 8 50 040 B / L4 W - | LP | 1965 | n.v. | ||||
8 50 042 | Sweet And Lonely | 1 | 1 | Orchester Gerhard Kneifel | Sweet And Lovely | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 1 | Orchester Gerhard Kneifel | Sweet And Lovely | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 2 | Rec Demont | Bei dir war es immer schön | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 2 | Rec Demont | Bei dir war es immer schön | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 3 | Orchester Jürgen Hermann | Hörst du mein heimliches Rufen | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 3 | Orchester Jürgen Hermann | Hörst du mein heimliches Rufen | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 4 | Rec Demont | Solitude | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 4 | Rec Demont | Solitude | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 5 | Orchester Günther Kretschmer | Body And Soul | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 5 | Orchester Günther Kretschmer | Body And Soul | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 6 | Rec Demont | Ein Wiederseh'n mit dir | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 6 | Rec Demont | Ein Wiederseh'n mit dir | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 7 | Orchester Siegfried Mai | Straight | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 1 | 7 | Orchester Siegfried Mai | Straight | LP | Amiga | rot-weiß | 0 503 237 / 8 50 042 A / J5 W- | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 8 | Orchester Günter Gollasch | The Midnight Sun Never Sets | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 8 | Orchester Günter Gollasch | The Midnight Sun Never Sets | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 9 | Rec Demont | Du, du gehst an mir vorbei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 9 | Rec Demont | Du, du gehst an mir vorbei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 10 | Orchester Gerd Natschinski | Concerto für zwei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 10 | Orchester Gerd Natschinski | Concerto für zwei | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 11 | Rec Demont | Wo ist die Liebe | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 11 | Rec Demont | Wo ist die Liebe | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 12 | Orchester Günter Gollasch | Verträumte Serenade | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 12 | Orchester Günter Gollasch | Verträumte Serenade | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 13 | Rec Demont | Es ist alles gut | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 13 | Rec Demont | Es ist alles gut | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 14 | Orchester Günther Kretschmer | Romanze in Blau | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 042 | Sweet And Lonely | 2 | 14 | Orchester Günther Kretschmer | Romanze in Blau | LP | Amiga | rot-weiß | 0 503 238 / 8 50 042 B / G5 W-K | LP | 1965 | n.v. | |||
8 50 044 | Louis Armstrong | 1 | 1 | King Oliver's Jazz Band | High Society Rag | 1923 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 2 | King Oliver's Jazz Band | Where Did You Stay Last Night | 1923 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 3 | Louis Armstrong & His Hot Five | Gut Bucket Blues | 1925 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 4 | Louis Armstrong & His Hot Five | My Heart | 1925 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 5 | Louis Armstrong & His Hot Five | Heebie Jeebies | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 6 | Louis Armstrong & His Hot Five | Cornet Shop Suey | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 7 | Butterbeans & Susie | He Likes It Slow | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 1 | 8 | Louis Armstrong & His Hot Five | The King Of The Zulus | 1926 | LP | Amiga | rot-weiß | 0 503 241 / 8 50 044 A / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 9 | Louis Armstrong & His Hot Five | Lonesome Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 10 | Bertha Chippie | Pleadin' For The Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 11 | Bertha Chippie | Pratt City Blues | 1926 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 12 | Sippie Wallace | The Flood Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 13 | Louis Armstrong & His Hot Seven | Gully Low Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 14 | Louis Armstrong & His Hot Five | The Last Time | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 15 | Louis Armstrong & His Hot Five | Got No Blues | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 044 | Louis Armstrong | 2 | 16 | Louis Armstrong & His Hot Five | I'm Not Rough | 1927 | LP | Amiga | rot-weiß | 0 503 242 / 8 50 044 B / G5 W- | LP | 1965 | k.A. | ||
8 50 045 | 1 | 1 | California Jubilee Singers | Joshua Fit The Battle Of Jericho | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 2 | California Jubilee Singers | Dere's A Balm In Gilead | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 3 | California Jubilee Singers | Ceretainy Lord | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 4 | California Jubilee Singers | Ride On, King Jesus | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 5 | California Jubilee Singers | His Name So Sweet | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 6 | California Jubilee Singers | My God Is So High | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 7 | California Jubilee Singers | Swing Low, Sweet Chariot | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 8 | California Jubilee Singers | Hold De Light | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 9 | California Jubilee Singers | Ole Ark's A-Moverin' | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 10 | California Jubilee Singers | Poor Man Lazarus | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 11 | California Jubilee Singers | Every Time I Feel The Spirit | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 1 | 12 | California Jubilee Singers | Keep A Inchin Along | 1964 | LP | Amiga | rot-weiß | 0 503 243 / 8 50 045 A / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 13 | California Jubilee Singers | Get On Board | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 14 | California Jubilee Singers | Amen | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 15 | California Jubilee Singers | I Go To Lie Down | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 16 | California Jubilee Singers | Old Man River | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 17 | California Jubilee Singers | I Got Plenty O' Nuttin' | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 18 | California Jubilee Singers | Let The Hebin Light Shine On Me | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 19 | California Jubilee Singers | Climbin' Up The Mountain | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 20 | California Jubilee Singers | River Chant | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 21 | California Jubilee Singers | Dem Bones | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 22 | California Jubilee Singers | Rock My Soul | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 045 | 2 | 23 | California Jubilee Singers | Little David | 1964 | LP | Amiga | rot-weiß | 0 503 244 / 8 50 045 B / J5 W-STR | LP | 1965 | k.A. | |||
8 50 046 | Solarius | 1 | 1 | Rolf Kühn Quintett | Minor Impressions | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 1 | 2 | Rolf Kühn Quintett | Solarius | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 1 | 3 | Rolf Kühn Quintett | Sie gleicht wohl einem Rosenstock | 1964 | LP | Amiga | rot-weiß | 0 503 245 - 2 / 8 50 046 A / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 4 | Rolf Kühn Quintett | Mountain Jump | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 5 | Rolf Kühn Quintett | Lady Orsina | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 046 | Solarius | 2 | 6 | Rolf Kühn Quintett | Soldat Tadeusz | 1964 | LP | Amiga | rot-weiß | 0 503 246 / 8 50 046 B / K5 W-RSK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 1 | Dorothy Ellison & Manfred Ludwig-Sextett | Take The A-Train | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 2 | Manfred Ludwig-Sextett | Zwecke | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 3 | Dorothy Ellison & Manfred Ludwig-Sextett | I Can't Stop Loving You | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 4 | Manfred Ludwig-Sextett | Zdena | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 5 | Dorothy Ellison & Manfred Ludwig-Sextett | Georgia | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 6 | Manfred Ludwig-Sextett | Condor | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 7 | Dorothy Ellison & Manfred Ludwig-Sextett | Mister Sandmann | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 1 | 8 | Manfred Ludwig-Sextett | Ruben | 1964 | LP | Amiga | rot-weiß | 0 503 247 - 1 / 8 50 047 A / M5 W-KS | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 9 | Dorothy Ellison & Manfred Ludwig-Sextett | Hit The Road, Jack | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 10 | Manfred Ludwig-Sextett | Gral | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 11 | Dorothy Ellison & Manfred Ludwig-Sextett | They Say, It's Wonderful | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 12 | Manfred Ludwig-Sextett | Zwielicht | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 13 | Dorothy Ellison & Manfred Ludwig-Sextett | Blues In The Night | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 14 | Manfred Ludwig-Sextett | E W als Gruß | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 15 | Dorothy Ellison & Manfred Ludwig-Sextett | Blueberry Hill | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 047 | Jazz mit Dorothy Ellison | 2 | 16 | Manfred Ludwig-Sextett | Eine Lappalie | 1964 | LP | Amiga | rot-weiß | 0 503 248 / 8 50 047 B / L5 W-SK | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 1 | Jazz-Optimisten Berlin | When It's Sleepy Time Down South | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 2 | Jazz-Optimisten Berlin | South Rampart Street Parade | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 3 | Eberhard Esche | Ode an die Seeaalsuppe | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 4 | Jazz-Optimisten Berlin | Die Oliven gedeihn | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 5 | Manfred Krug | Zerstörtes Liebesglück | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 6 | Manfred Krug | Zwei Seelen | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 1 | 7 | Manfred Krug & Rhythmusgruppe der Jazz-Optimisten Berlin | Die Ballade vom Briefträger William L.Moore aus Baltimore | 1964 | LP | Amiga | rot-weiß | 0 503 249 / 8 50 048 A / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 8 | Jazz-Optimisten Berlin | Tiger Rag | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 9 | Eberhard Esche | Anekdote | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 10 | Jazz-Optimisten Berlin | My Bonnie Is Over The Ocean | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 11 | Manfred Krug & Jazz-Optimisten Berlin | There's A Boat That's Leavin' Soon For New York | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 12 | Manfred Krug | Die sieben Sachen | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 13 | Manfred Krug & Jazz-Optimisten Berlin | Hallelujah, I Just Love Her So | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 14 | Manfred Krug & Jazz-Optimisten Berlin | When The Saints Go Marchin' In | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 048 | Jazz und Lyrik | 2 | 15 | Werner Sellhorn & Ensemble Jazz und Lyrik | Abschieds-Blues | 1964 | LP | Amiga | rot-weiß | 0 503 250 / 8 50 048 B / K5 S-S | LP | 1965 | k.A. | ||
8 50 049 | Big Beat II | 1 | 1 | Franke-Echo-Quintett | Hava Nagila | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 2 | Theo Schumann-Combo | Nevada | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 3 | Theo Schumann-Combo | Scharfe Sache | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 4 | Olympic-Big Beat | Exodus | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 5 | Butlers | Quartermasters Stores | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 6 | Franke-Echo-Quintett | Eskimo | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 7 | Sputniks | Beim Hully-Gully bin ich König | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 1 | 8 | Butlers | Troika | LP | Amiga | rot-weiß | 0 503 251 / 8 50 049 A / C5 W-KS | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 9 | Olympic-Big Beat | Yakety Sax | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 10 | Theo Schumann-Combo | Tromsoe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 11 | Franke-Echo-Quintett | Peters Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 12 | Butlers | Herbstlaub | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 13 | Sputniks | Für so viel Liebe | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 14 | Theo Schumann-Combo | Wikinger Twist | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 15 | Franke-Echo-Quintett | Seeschloß | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 049 | Big Beat II | 2 | 16 | Butlers | Butlers Boogie | LP | Amiga | rot-weiß | 0 503 252 / 8 50 049 B / C5 W-K | LP | 1965 | n.v. | |||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 1 | Clarence Williams' Novelty Four | In The Bottle Blues | 1928 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 2 | Original Dixieland Jazz Band | Toddlin' Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 3 | Sarah Martin & Clarence Williams' Blue Five | Blind Man Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 4 | King Oliver's Jazz Band | Buddy's Habit | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 5 | Margaret Johnson & Clarence Williams' Blue Five | E Flat Blues | 1923 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 6 | Piron's New Orleans Orchestra | Bouncing Around | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 7 | Butterbeans & Susie | Construction Gang | 1924 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Phonoclub | rot | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 1 | 8 | Brownlee's Orchestra of New Orleans | Dirty Rag | 1925 | LP | Amiga | rot-weiß | 0 503 253 / 8 50 050 A / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 9 | Original Tuxedo Jazz Orchestra | Original Tuxedo Rag | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 10 | Original New Orleans Rhythm Kings | She's Crying For Me | 1925 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 11 | Cookie's Gingersnaps | Messin' Around | 1926 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 12 | Dixie Stompers | The St Louis Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 13 | Bix Beiderbecke & His Gang | Jazz Me Blues | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 14 | McKenzie & Condon's Chicagoans | Nobody's Sweetheart | 1927 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 15 | Victoria Spivey | Organ Grinder Blues | 1928 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Phonoclub | rot | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 050 | Pioniere des Jazz | 2 | 16 | Mamie Smith | Jenny's Ball | 1931 | LP | Amiga | rot-weiß | 0 503 254 / 8 50 050 B / G5 W- | LP | 1965 | k.A. | ||
8 50 051 | In Froehlicher Runde | 1 | 1 | Ballhausorchester Kurt Beyer | Heut woll'n wir lustig sein / Wer soll das bezahlen / Nach Hause gehn wir nicht | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 2 | Orchester Walter Eichenberg & Stimmungskanonen | Nur Die Klapperstörche Stehn Auf Einem Bein | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 3 | Martin Möhle Combo | Erst siebzehn Jahr / Küß mich, Angelina / Meine Frau macht Musik | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 4 | Lieselotte Malkowsky & Orchester Bert Kaempfert | Was macht ein Seemann, wenn er Sehnsucht hat | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 5 | Ballhausorchester Kurt Beyer | Hein spielt abends so schön auf dem Schifferklavier / Schön ist die Liebe im Hafen / Auf der Reeperbahn | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 6 | Orchester Walter Eichenberg & Columbia-Quartett | Sei immer lieb zu deiner Schwiegermutter | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 7 | Ballhausorchester Kurt Beyer | Folies bergere - Das ist der Zauber von Berlin - Berliner Luft | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / L5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 1 | Ballhausorchester Kurt Beyer | Heut woll'n wir lustig sein / Wer soll das bezahlen / Nach Hause gehn wir nicht | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 2 | Orchester Walter Eichenberg & Stimmungskanonen | Nur Die Klapperstörche Stehn Auf Einem Bein | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 3 | Martin Möhle Combo | Erst siebzehn Jahr / Küß mich, Angelina / Meine Frau macht Musik | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 4 | Lieselotte Malkowsky & Orchester Bert Kaempfert | Was macht ein Seemann, wenn er Sehnsucht hat | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 5 | Ballhausorchester Kurt Beyer | Hein spielt abends so schön auf dem Schifferklavier / Schön ist die Liebe im Hafen / Auf der Reeperbahn | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 6 | Orchester Walter Eichenberg & Columbia-Quartett | Sei immer lieb zu deiner Schwiegermutter | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 1 | 7 | Ballhausorchester Kurt Beyer | Folies bergere - Das ist der Zauber von Berlin - Berliner Luft | LP | Amiga | rot-weiß | 0 503 275 / 8 50 051 A / M5 W- | LP | 1969 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 8 | Martin Möhle und seine Solisten | Schweinemarsch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 9 | Orchester Günter Gollasch & Vier Collins & Columbia-Quartett | Geh nicht wie die Katze um den heißen Brei | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 10 | Ballhausorchester Kurt Beyer | Schützenliesl / Pfeif-Rheinländer / Der Pfannenflicker / Des Klarinettisten Fluch | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 11 | Stimmungskapelle Kurt Beyer & Horlan-Trio | Das schwarze Meer ist blau | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 12 | Martin Möhle Combo | Eine Seefahrt, die ist lustig / Das ist die Liebe der Matrosen / Weiße Wolken, blaues Meer und du | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 13 | Orchester Günter Oppenheimer & Enzo-Trio | Bier, Bier, Bier ist die Seele vom Klavier | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 051 | In Froehlicher Runde | 2 | 14 | Orchester Walter Eichenberg & Stimmungskanonen | Solang' die Spree noch naß ist | LP | Amiga | rot-weiß | 0 503 276 / 8 50 051 B / M5 W- | LP | 1965 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 1 | Toni Stepanek | Pozdrav Z Hvozdu | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 2 | Toni Stepanek | Zabicka | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 3 | Toni Stepanek | Kladenska | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 4 | Toni Stepanek | Pro Tanicku | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 5 | Toni Stepanek | Danuška | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 6 | Toni Stepanek | Valašska | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 1 | 7 | Toni Stepanek | Já Ráda Tancuju | LP | Amiga | rot-weiß | 0 503 277 / 8 50 052 A / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 8 | Toni Stepanek | Staroceská Musika | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 9 | Toni Stepanek | Karlovarská | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 10 | Toni Stepanek | Pod Jednou Strechou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 11 | Toni Stepanek | Tichou Dedinou | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 12 | Toni Stepanek | Hostivická | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 13 | Toni Stepanek | Korycanska | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 052 | Böhmische Blasmusik | 2 | 14 | Toni Stepanek | Svore K Cili | LP | Amiga | rot-weiß | 0 503 278 / 8 50 052 B / B6 W-S | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 1 | Karin Prohaska | Bis zur Hochzeit ist alles wieder gut | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 2 | Drafi Deutscher & His Magics | Hast du alles vergessen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 3 | Orchester Walter Eichenberg | Letkiss | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 4 | Michael Heymann | Erst kam ein verliebter Blick | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 5 | Manuela & 5 Dops | Küsse unterm Regenbogen | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 6 | Christian Schafrik | Take It Easy | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 7 | Bärbel Wachholz | Mama | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 1 | 8 | Robby Lind | Was nicht ist, kann noch werden | LP | Amiga | rot-weiß | 0 503 279 / 8 50 053 A / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 9 | Bert Hendrix | Tennessee-Waltz | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 10 | Günther Karpa | Il Silenzio | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 11 | Tina Brix | Minne-minne-mitt | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 12 | Frank Schöbel | Teenager-Träume | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 13 | Gipsy | Küsse nie nach Mitternacht | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 14 | Robby Lind | Gitta Gittarina | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 15 | Karin Prohaska | Ich such mir meinen Bräutigam alleine aus | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | 1965 | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | ||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 053 | Amiga-Express 1965 | 2 | 16 | Helga Brauer | Sprich nicht drüber | LP | Amiga | rot-weiß | 0 503 280 / 8 50 053 B / A6 W - SK | LP | 1966 | n.v. | |||
8 50 054 | Modern Jazz Big Band 65 | 1 | 1 | Modern Jazz Big Band | Ein Nachmittag in Berlin | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 2 | Modern Jazz Big Band | Kleines Lied für Eric | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 1 | 3 | Modern Jazz Big Band | Serenade Mysterioso | 1965 | LP | Amiga | rot-weiß | 0 503 281 / 8 50 054 A / M5 G-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 4 | Modern Jazz Big Band | Watermelonman | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 5 | Modern Jazz Big Band | Peace | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 054 | Modern Jazz Big Band 65 | 2 | 6 | Modern Jazz Big Band | Night In Tunesia | 1965 | LP | Amiga | rot-weiß | 0 503 282 / 8 50 054 B / A6 W-S | LP | 1965 | k.A. | ||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 1 | Ella Fitzgerald | The Lady Is A Tramp | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 2 | Ella Fitzgerald | Too Darn Hot | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 3 | Ella Fitzgerald | Lorelei | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 4 | Ella Fitzgerald | Mack The Knife | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 1 | 5 | Ella Fitzgerald | How High The Moon | LP | Amiga | rot-weiß | 0 503 283 / 8 50 055 A / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 6 | Ella Fitzgerald | Them There Eyes | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 7 | Ella Fitzgerald | Dream A Little Dream Of Me | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 8 | Ella Fitzgerald | Tea For Two | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 9 | Ella Fitzgerald | I'm Beginning To See The Light | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 10 | Ella Fitzgerald | Ain't Misbehavin' | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 055 | Jazz Portrait | 2 | 11 | Ella Fitzgerald | On The Sunny Side Of The Street | LP | Amiga | rot-weiß | 0 503 284 / 8 50 055 B / A6 W- | LP | 1966 | k.A. | |||
8 50 056 | Flöte - Alt-Sax | 1 | 1 | Leo Wright-Combo | Encore | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 2 | Leo Wright-Combo | It Might As Well Be Spring | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 3 | Leo Wright-Combo | Down Home Kansas City Blues | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 1 | 4 | Leo Wright-Combo | Kidney Stew | 1965 | LP | Amiga | rot-weiß | 0 503 285 / 8 50 056 A / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 5 | Leo Wright-Combo | Every Day I Have The Blues | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 6 | Leo Wright-Combo | Blues March | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 056 | Flöte - Alt-Sax | 2 | 7 | Leo Wright-Combo | Grooving High | 1965 | LP | Amiga | rot-weiß | 0 503 286 / 8 50 056 B / B6 W-S | LP | 1966 | k.A. | ||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 1 | Manfred Krug & Modern Jazz Big Band 65 | On The Sunny Side Of The Street | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 2 | Manfred Krug & Modern Jazz Big Band 65 | Georgia | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 3 | Manfred Krug & Modern Jazz Big Band 65 | Rosetta | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 4 | Modern Jazz Big Band 65 & Manfred Krug | The Preacher | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 1 | 5 | Modern Jazz Big Band 65 & Manfred Krug | Sister Salvation | 1965 | LP | Amiga | rot-weiß | 0 503 287 / 8 50 057 A / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 6 | Modern Jazz Big Band 65 & Manfred Krug | You Come A Long Way From St. Louis | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 7 | Manfred Krug & Modern Jazz Big Band 65 | Hallelujah, I Just Love Her So | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 8 | Manfred Krug & Modern Jazz Big Band 65 | Blues In F | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1966 | k.A. | |||
8 50 057 | 2 | 9 | Modern Jazz Big Band 65 & Manfred Krug | Blues-March | 1965 | LP | Amiga | rot-weiß | 0 503 288 / 8 50 057 B / F6 S 0 S | LP | 1968 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 1 | Orchester Gerhard Kneifel | I Got Rhythm | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 2 | Rica Deus | The Man I Love | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 3 | Perdidos & Enzo-Trio | Liza | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 4 | Christel Schulze | Somebody Loves Me | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 5 | Orchester Gerhard Kneifel | "Blues aus ""Ein Amerikaner in Paris""" | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 6 | Rec Demont | A Foggy Day | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 1 | 7 | Perdidos & Enzo-Trio | Embraceable You | LP | Amiga | rot-weiß | 0 503 289 / 8 50 058 A / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 8 | Rec Demont | s Wonderful | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 9 | Perdidos & Enzo-Trio | Love Is Her To Stay | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 10 | Orchester Gerhard Kneifel | Strike Up The Band | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 11 | Christel Schulze | Summertime | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 12 | Rec Demont | Oh, Lady Be Good | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 13 | Rica Deus | Someone To Watch Over Me | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 058 | Gershwin Evergreens | 2 | 14 | Perdidos & Enzo-Trio | Fascinating Rhythm | LP | Amiga | rot-weiß | 0 503 290 / 8 50 058 B / C6 W - K | LP | 1966 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 1 | Benny Goodman Sextett | I Got Rhythm | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 2 | Benny Goodman Sextett | Flying Home | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 3 | Benny Goodman Sextett | Memories Of You | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 4 | Helen Humes & Count Basie Combo | Blues With Helen | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 5 | Count Basie Band | One O'Clock Jump | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 6 | Oran 'Hot Lips' Page & Count Basie Band | Blues WithLips | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 1 | 7 | Count Basie Band | Rhythm Man | LP | Phonoclub | rot | 0 503 293 / 8 50 060 A / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 8 | Kansas City Six | Good Morning Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 9 | Kansas City Six | Way Down Yonder In New Orleans | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 10 | Count Basie | I Ain't Got Nobody | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 11 | Count Basie Combo | Don't Be That Way | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 12 | New Orleans Feetwarmers | Mule Walk | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 13 | New Orleans Feetwarmers | Carolina Shout | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 14 | New Orleans Feetwarmers | Weary Blues | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 15 | New Orleans Feetwarmers | I Wish I Could Shimmy Like My Sister | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 060 | Spirituals To Swing 1 | 2 | 16 | New Orleans Feetwarmers | Kate | LP | Phonoclub | rot | 0 503 294 / 8 50 060 B / M6 W - | LP | 1967 | k.A. | |||
8 50 063 | 1 | 1 | Ray Charles | At The Club | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 2 | Ray Charles | Basin Street Blues | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 3 | Ray Charles | Alabamy Bound | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 4 | Ray Charles | New York' s My Home | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 5 | Ray Charles | Josephin | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 6 | Ray Charles | Marie | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 7 | Ray Charles | California, Here I Come | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 1 | 8 | Ray Charles | I've Got News For You | 1960 | LP | Amiga | rot-weiß | 0 503 301 / 8 50 063 A / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 9 | Ray Charles | Margie | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 10 | Ray Charles | I've Gonna Move To The Outskirts Of Town | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 11 | Ray Charles | One Mint Julep | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 12 | Ray Charles | Rosetta | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 13 | Ray Charles | Sweet Georgia Brown | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 14 | Ray Charles | Chattanooga Choo Choo | 1960 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 15 | Ray Charles | Baby, It's Cold Outside | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 063 | 2 | 16 | Ray Charles | Side By Side | 1961 | LP | Amiga | rot-weiß | 0 503 302 / 8 50 063 B / C6 S 0 K | LP | 1966 | k.A. | |||
8 50 066 | 1 | 1 | Mahalia Jackson | The Christian's Testimony | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 2 | Mahalia Jackson | It Is No Secret | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 3 | Mahalia Jackson | Move On Up A Little Higher | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 4 | Mahalia Jackson | The Upper Room | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 1 | 5 | Mahalia Jackson | God Is So Good | LP | Amiga | rot-weiß | 0 503 307 / 8 50 066 A / F6 S 0 | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 6 | Mahalia Jackson | It Don't Cost Very Much | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 7 | Mahalia Jackson | Summertime | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 8 | Mahalia Jackson | Just A Little While To Stay Here | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 9 | Mahalia Jackson | The Lord's Prayer | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 10 | Mahalia Jackson | Nobody Knows The Trouble I've Seen | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 066 | 2 | 11 | Mahalia Jackson | Down By The Riverside | LP | Amiga | rot-weiß | 0 503 308 / 8 50 066 B / E6 S 0 S | LP | 1966 | k.A. | ||||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 1 | Werner Pfüller-Quintett | Mad About A Boy | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 2 | Werner Pfüller-Quintett | Moanin | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 3 | Werner Pfüller-Quintett | Horace's Theme | 1961 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 4 | Werner Pfüller-Quintett | Blaue Straßen | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. | ||
8 50 067 | Modern Jazz Studio Nr 2 | 1 | 5 | Werner Pfüller-Quintett | Rose | 1962 | LP | Amiga | rot-weiß | 0 503 309 / 8 50 067 A / C6 S 0 S | LP | 1966 | k.A. |